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©C1.D 25975 



PLAIH MOLLY 
A Play in Pour Acts . 
CAST 



Robert Teir53le An Artist 

Richard Clinton --His Friend 

Roger de Coverly Janitor of the Studio Building, 

John Korgan —Old and Rich, 

Regy Plunkles Morgan His Son. 

Georgie Gubbs An Artist's Model, 

Amanda Dilpick^Sie — ' A Professional Cha,perone'. 

Molly-- De Coverly's Poster-daughter. 



SYNOPSIS 

Act 1st:- 

Temple's Studio in the Rubens. 

Act 2nd:- 

The same. 

Act 3rd:- 

The Basement - De C overly' s apartment. 

Act 4th:- 

Molly's HeViT Home. 



1-B 

Act 1st, 

Robert Temple's Studio. 



Exterior Backing 



2 




TE5 — 



C' D 



Oo 






A handsome Interior, 

1. French Window \Tith portiers C, Exterior city winter tacking 

2. Targe arch upper Ro Interior Backing, 

3. Door upper L. Interior "backing. 

4. Pire-place with logSj "burning , dmirn L. 

5. Upright piano with stool down R« 

6. Large round table R» of C, 

7. Handsome couch with fancy covering and cushions L. 

8. Easel with large ca-nvasSj portrait of lady ahove couch L, 

9. Side-hoard up R, of C. well stocked, 

10. Round table copper tea-kettle, chafing dish. etc. Paint- 
ings are thrown around in confusion, Pur rugs, pieces of 
armor, Indian relics, v/eapons of all kinds. Statuettes - 
bric-a-brac all the decorative features which can be used to 
give studio ataosphere. 



2-B 



At rise:- The sound of sloigh-'bells heard ^ Roger De Coverly, a 
man of ahout forty years discovered standing at side-board at 
back pouring himself out a drink. He has on seedy hat and 
over-coat, he finishes drink and turns revealing a, face 
marked by coat, he finishes drink and turns revealing a face 
marked by signs of dissipation reddened nose. Chorus of 
voices in drunken song outside sound of fish horns, and burst 
of laughter, which dies out ^f7i th the sleigh-bells in the 
distance. 

Roger 
Humph! Another gang of 'souses' off to the great', white way - 
to welcome in the Glad ijev/ Year, and while they're suckin in 
the j03rful bubble water - does anyone of then think of me? Ho - 
I'm a "down and outer". I must accumulate my "ja^" alone! 
(Business has worked over to table R.C. picks up small picture, 
which is wrapped up loosely in bro-wn paper, he endeavors to 
tighten strinjj nervously fumbles v/ith it, stares at it hope- 
lessly then lays it down) (Honk - Honk - of automobile heard 
outside) 

Roger 
(Vainly trying to tie up picture) I seem to be all thumbs. 
I'll take another drink to brace me up. (Returns to side- 
board, pours out drinkj takes it. The door L.U.E. opens, 
enter Clinton and Regy - They are both in evening dress, with 
topcoats etc) 

Clinton 
Come in Regy, come in - this is Bob's den! You'll see Bohemia 
nov/ from another view point. 

Regy 
[Vlho is of the chappie type) Ah! (Regarding Roger who stands 
with glass in hand a little v/abbly and staring at them) Is 
this one of them? 

Clinton 
One of what? 

Reggy 
One of Mr. Ten^les tribes of Bohemians. He looks aboriginal. 

Clinton 
Hardly! (Laughs) Tell him, who you are Roger. 

Roger 
Is he a friend of yours, 1^, Clinton? 

Clinton 
Oh yes, friend - and portsge-- 

Roger 
Friends of yours, friends of mine. Once a gentleman - always 
a gentleman. (Slaps himself on breast) "Vicey - Versay" ! My 
name is Roger De Coverly, and I am proud to say of English 



antecedents . 
Eh, English! 
Yes sir. 



Regy 
Roger 



Clinton 
Oh yes, Roger is English all right. 

Hegy 
(Sniffing) But I perceive a distinct ador of Scotch! 

Clinton 
He is the janitor of this.. The Ruben's Studio building. 

Roger 
Yes sir, I live in the basement, but ray soul aspires to heaven. 

Regy 
Why don't you move to the roof? 

Roger 
My present menial calling has not always been my vocation. 



3-B 

and (Very loudly) Had I not lost my voice, I could have shown 
the world that 

Regy 
(Holding his ears) Mercy! ?/hat was your voice like before 
you lost it? 

Roger 
My singing voice, young person, I don't really know yet what 
your damned name is, hut no matter, I was an operatic artist 
once, 

Regy 
Oh I see, an actor 

Roger 
(Loudly) ■^'ThatJ Actor - no sir - never - not a mere actor - 
had I heen a mere actor, I would not now have had to he a 
janitor, I could have continued. I was a singer, hut as I 
said hefore - I lost my voice. (Again loudly) 

Regy 
Yes, I heard you the first time. (Enter Rohert Eemple L.U.E.) 

Robert 
Ah boysJ You found your v/ay all right I see. Hello' De- 
Coverly, haven't you started yet. Hurry up, there's a good 
fellow, probably the gentleman is sitting up ^vaiting for you. 

Roger 
(Picks up picture) Everybody sits up on New Year's Eve - ahen4 
These friends of yoxirs detained me, but no matter - friends, 
of yours - friends of mine. Gentlemen all - once a gentlemen,, 
Always a gentleman" Vicey Versay" Hid (Hiccoughs) (Slaps 
his chest exits L.U.E. taking picture with him) (The young 
men laugh) 

Robert 
Poor old Scout - I hate to send him out this cold night - but 
I need some money for Langley, and I daubed out a pot-boiler 
for "Schans" this afternoon, and he is to send me fifty - to- 
night, make yourselves at home, boys I 

Clinton 
And is your young friend - Langely - no better? 

Robert 
Fo, I fear he won't last through the winter, 

Regy 
And what appears to be the matter? 

Robert 
He is one of those unfortunate artists who can do nothing but 
paint. He lacks the mixing quality with the patrons of the 
arts. He has the bitter experience that comes to his tem- 
peramental kind. He has never been taken up, he's fought the 
good fight alone, and he»G licked that's all - 

Regy 
Oh I see, he's had his "Reno" and he won't try to "come back" 
Uncongenial now - unsocial - pessinistic - and all the rest 
of it, eh? 

Robert 
Not exactly - The sordid struggle on the edge of starvation 
has not hardened his heart. He viras always sensitive and 
sympathetic. Hets exliausted now and that's all - and is only 
patiently waiting for the end, (Sighs) 

Clinton 
And you are selling your genius to help him - 

Robert 
Don't call it - my genius - Dick, I am realizing on my vogue ~ 
these trifles such as De Goverly just now bore away with him 
are but a few hours play with colors, and leave me all the 
time in the world for my life's work. 



4-B ' 

Clinton 
(Goes to easel - lifts curtain) Meaning the portrait of the 
"fair"the chaste - the unexpressire she. Ah - poor Boh! 
Poor Boh! 

Roherit 
Thanks, Dick, I don't need sympathy, 

Clinton 
But modern Pygmalion you do. You'll never warm the raarhle 
lady who inspired this into life - and if you shoijG.d - she 
would only hand you a lemon - I mean - the mitten. 

Rohert 
(An-noyed) Don't he profane - Boh. 

I^egy 
May I look at the picture - (Strolling over) HelloJ (To 
picture) Am I never to escape you - even here? 

Clinton 
Ah you recognize the portrait? 

Regy 
Why of course - hut I never saw the original look like that. 

, Rohert 
(Coldly) Indeed. 

Hegy 
¥hy no - you have idealized - etherealized - celestialized 
Miss Eveline Livingston - and what is still more extraordinary 
to me you have ^t the same time - humanized. 

Clinton 
Resy? you talk like a "Hell Brinkley" 

Regy 
Hov/ can I help it, v/hen I hehold the wonder before me. Ut. 
Temple has performed the extra, ordinary anatomical feat of 
supplying a lady with a heart who was never credited with 
possessing (tine hefore. (Rohert pulls curtain over easel in 
an irritated manner, ahout to speak angrily to Regy, pulls 
himself to-gether - crosses down R. ) 

Clinton 
(Catches Regy by arm drav/s him over L. aside to him) Don't 
chatter so. He is madly in love with her. He doesn't realize 
that she is playing with him. We are treading on dangerous 
ground. 

Regy 
(Sympathetically) Poor devil! Letfs change the subject, (Aloud) 
I say Mr. Temple. 

Rohert 
Yes - (Turning) 

Regy 
That f)e Coverly who was here just now was he really ever an 
opera singer? 

Rohert 
Yes - comic opera - for years he was in the chorus. 

Clinton 
Chorus? Oh I see. 

Rohert 
The position is not as unimportant as you might think. Well - 
the poor devil lost his voice - drank a little hard I suppose 
and now like many another man who is obliged to seek another 
and less profitable vocation - he lives in the last, I give 
him a chance to make a little extra coin whenever I can - and 
so do some others in the studio building, and so with his 
meagre wages he manages to support himself and his daughter-- 

Clinton 
Oh he has a daughter^ I never knew that " what is she like? 

Robert 
Bo you know - old man - I really can't describe her. SheTs 



a timid reserred little thing - apparently half child and half 
■".voman. I've never seen her except when she has been sweeping 
the halls with a cloth over her head. She impresses me as a 
mysterious uncanny little elf ^^'/ho is all eyes. You know the 
type! 

Regy 
Of course he does - Clinton is a connoisseur on eyes. You 
have aroused his interest already. He ^vill he haunting your 
rooms more tJian ever now - waiting to get a peek at the 
little fairy of the studio - and with his Svengalic power 
he v/ill try to compel a loving glance from her "brooding 
darkly indeterminate obrs-, 

Clinton 
I'm not such an ass. 

Regy 
Your unusually handsome 3Ban is always conceited 

Clinton 
I am not, 

Regy 
(r.aughing) Ahl 

Clinton 
(Annoyed) You confounded idiot - what are you making me say? 

Regy 
"Who's looney now? ^.Iio's looney now? 

Clinton 
Tell me, Eoh have you ever spoken to the girl? 

Robert 
"ITeverl (Simply) Her father has not seen fit to introduce me. 
She is diffident and retiring - and if I accosted her - it 
might argue a lack of respect - it might wound her - and I 
wouldn't like that to happen, 

Regy 
Don't tell Clinton that - he would be bound to misconstrue 
your motives. He has his method of attack. He malfks his 
batteries so to speak - when he tries to over-whelm the 
"Eternal" feminine of the "infernal" feminine - you can take 
your choice - he alw^cys cloaks his bold gaze in a gentle 
deference of speech and manners. 

Clinton 
Oh I don't differ from ohter men - we are all alike - all 
cast ±n the same mould. 

Regy 
Yes, but some of us are raoldisr thanothers. 

Clinton 
Oh RctI 

Regy 
Of course if you prefer it - moiild don't sound so nasty 

Clinton 
(Indicating sideboard) Bob, are you going to do the honors - 
or shall I? 

Robert 
Go as far as you like Dick - -pardon me for not mentioning it. 

Clinton 
Well, I \vant a high-ball - (Goes up to side-board, brings 
down bottles and glasses, places them on table) 

Robert 
There's a sjrphon on the ice. (Grosses R. ) I'll get it. (Exit 
R. ) 

Clinton 
3^ever mind the ice - the seltzer will do - what are you going 
to drink Regy? 

what is this? (Picks up decanter) Sherry! This will do for me J 
(Pours out drink, glances toward picture) I can't help 



6-E 

thinking of my prospective stop -mamma pictured with that 
saintly mug that Temple has given her - It's wonderful " and 
he's in love with her, eh? (Drinks) ^/hat will he say when 
he finds himself among the discards? 

Clinton 
(Slowly - seriOTosly) It will prohfetly blight his whole career 
he fairly worships her. (Drinks) I tell you Regy - I fear a 
tragedy. (Knock on door L.U.E.) Come in! (Enter Georgie Guhlss 
and Amanda Ditpickle, Georgie is an attractive girl, age 
twenty two. Amanda stout and ahout forty. Both are over- 
dressed. Amanda particularly so as regards hat and extraordi- 
nary hair arrangement) 

Clinton 
Why if it isn't the Georgeous Georgie! "Why - Hello Georgie J 

Georgie 
Hello Dickeyl "We've just been doing the studios - "Nine " of 
thorn - and I thought we'd drop in on Mr. Robert - and wish him 
"Happy NewYear". Aunt Mandy (To Amanda) this gent is Mr. 
Clinton - Hefs an old college chixm of Mr. Robert and he's 
fresh - fresh from 

Amanda 
(interrupting) Presh is he? "Well - he'd better not get fresh 
with me - or I'll hand him one. (Glares belligerently at 
Clinton) 

Georgie 
Why don't you let me finish Aunty - he's fresh from the other 
side - and he's full of "antidotes" about what he saw in Paree, 
ain't you - Dicky? 

Clinton 
(Protesting) How my dear Miss Gubbs - Wdss Dilpickle I am 
delighted to meet you, 

Amanda 
Did you call me "Miss"? 

Clinton 
Why of course " 

Amanda 
Well - cut it - don't hand me anything like tliat, I ain't no 
"Miss", I'm a married woman - If Dilpickle was alive - and 
you called me "Miss" he'd - Well, Dilpickle was an expert in 
decorating fresh mugs. 

Clinton 
But he isn't alive. • 

Amajjda 
Ho - he»s hurried along side ofiiry first and second. 

Clinton 
I am glad to hear it - but let me present to you - ladies - 
my young friend - Reginald Plunkles Morgan - 

Georgie 
Delighted to meet you - Mr, Morgan - (Extends her hand, Regy 
takes i t ) 

Clinton 
Miss Georgie is Bob's model. 

Regy 
Indeed', X 

Georgie 
But only for the "figger" and the draperies - he ain't painted 



my "map" yet. 
Your "map"? 



Regy 



Clinton 
Georgie always speaks of her face us her map- 

Regy 
(Gallantly) If you were my model - your "face" slaould be 
painted- 



7-B 

Amanda 
(Offended) What's that? "Tiat's that spindle shanked dude 
mean? Your face ought to "be painted? Don't he like your 
face - eh? 

Georgia 
"So-vT aunty— - 

Aiaanda 
DonH Aunty me, isre ain't here to "be insulted - we don't need 
no paint an our faces - let's' go home - thatts a slur 

Oeorgie 
He only meant It as a compliment Aunty - Do "beha-vel He meant 
he»d put my face on the cc^nirass, didn't yer IJtr, Horgan? 

Regy 
Why of course, (Re-enter Rohert with Syphon) 

Roljert 
Ah - good evening - Georgie-'-- 

Georgie 
Aunty here ia lUr. Robert ^ Mr„ Robert, This is my aunt - 5£rs . 
Dilpickle- v/on't you hsive a chair? 

Amanda, 
I don't care if S do - so long as no-body altirs me, or mine - 

Georgie 
How Aunty - behaYe—- 

Asaanda 
How can I help behavingJ Ain't I your chaperone? (Sits in 
chai r ) 

Clinton 
What do you say to a little drinlc, ladies? 

A-Taaada 
I d«n?t care if I do— 

Clinton 
"Wliat will I help you to Mss Georgie? A high-ball? 

Georgie 
Oh dear nt - just giTe me some seltzer. 

Clinton 
What! TTo whiskey — 

Georgie 
Wo indeed - I must think of my "figger" - "Booze" - would put 
it on the "friz" - Reltzer if you please - no whiskey ~ 
(Clinton fills glass from syphon) 

Clinton 
■ And you Mrs » Dilpickle 

Amanda 
Whiskey if you please - no seltzer 

Clinton 
What - don't you want anything to kill it? 

Airanda 
Give me - the bottle - i*ll kill it. (Grabs bottle pours 
herself out stiff drink,, swallows it) 

Georgie 
Oh Auntiel BehaveJ Behave! 

Amanda 
(Thickly) How can I help behaving? Ain't I a chaperone? 

Clinton 
Forget being a chaperone and enjoy yourself, but Georgia - why 
a chaperone in this case - we are all good fellows here. 
You don't need protection. 

Georgie 
A girl alone in the world - and making herliving has to 
Cbserve the properties. 

Clinton 
The what? 

Georgie 
The "properties" 



8-B 

Ro^bert 
Georgie means the propjexeties and Georgia is right 

Clinton 
I must own- I'm in a fog - Georgie is your model -• comes 
several times a week unattended. 

Georgie 
That^s different - that's a matter of business *- This is a 
social call that's why my aunt is with me. 

Amanda 
(Defiantly) If I ain't welcome here, I loiow what i can do. 
(Rising) 

Omnes 
Sit downl Mrs. DilpicSae. 

Amanda 
(indignant) But i donH want no sliirs from no-body, 

Regy 
Uone intended - J/Trs. Billdickle - l say lets you and I hare 
another drink to-gether. (?ours out drink for her) 

Amanda 
(Shudders) ¥asty stuff, If I had my way, I»d do away with all 
intoxicating beTerages. I'd put down the Demon Rum, I wouldl 
I would! 

Clinton 
You seem to be putting do^-zi your share of it. . 

Amarida 
(Rises) Wiat'stlat? 

Georgie 
Don't mind him - Auntie -> you must make allowances §ot Dickie. 
He ain't no artist. 1£e«s just a hanger on around the studilis^ 
He don't knotv nothing atout models. (She puts Amanda "back in 
seat, Amanda sighs andta&os her drink) 

Azaanda 
(Tearfully) I've been a professional chaperone for years. The 
loop the loop sisterssE al-.7ays has me, and gents as is gents 
always treat me in a lady~like manner. 

Clinton 
Have another drink! 

Amanda 
Don't care if i do — 

Georgie 
Now Auntie — - 

Amanda 
Let rae alone, I ain't no model, I don't have to think of my 
figure, 

Georgie 
But we may have to pay sorae more calls to-night - and - 

Amanda 
Don't want to pay no more, I'm doing well enough right here. 
(Takes another drink) 

Georgie 
(Hoping to divert her) Come and see my portrait that Mr. 
Robert painted of course the face ain't mine - but the figure 
and the gown is - (Drags Amanda over to easel, Amanda goes, 
still holding on to battle) 

Clinton 
^?hy are you so quiet - Regy? 

Regy 
I ajtt waiting for the explosion, 

Clinton 
Explosion? 

Hegy 
YesJ That old girl can't hold much more, did you hear them 
say they had visited nine studios already to-night? "Aunty" 
will "bust" i.resently before our very eyes. 



9-B 

Clinton 
HiisJi, if she hears you, she may "start" something, 

Regy 
She must have started early in the evening, what I'm dreading 
ncfw is her "finish" (RcTjert has accoirrpanied Georgie and Amanda 
over to the easel, and has removed curtain w*iich screens it) 
{Amanda gazes at canvas stupidly) 

Georgie 
Well, 'vThat do you think of it, Axmty? 

Amanda 
She ain't such a "muchness". 

Georgie 
Tush! Tush] Aunty - Mt4iy shefs one of them swell society 
dames . 

Axoandci 
I don*t care, that don't make her no better looking - so long 
as he was at it ~ painting your figure and your clothes, why 
didn't he put your face ia the picture? Not that you are 
such a many 

Georgia 
But don't you understahd, that wotzldn't "be her portrait. 

Amanda 
Well you can do as you like, "but I wouldn't lend my figure, and 
this dress to any. fairy to have her pictiire "took" in - I 
wouldn't if she had no clothes at all. He paint her ivithout 
any clothes if she depended on me — 

Georgie 
Oh Avintyl 

Amanda 
Oh fiddlesticks! (Goes over to table R. ) (Knock on door L.U.E. ) 

Robert 
IJoma in! (Putting back curtain over picture) (Kolly enters, 
she is carrying an envelope. Shehas ared shawl over her head, 
she is very plainly dressed, and shivering with cold - she 
catches sight of the people at table and pauses irresolutely 
as if half vine er tain whether she should beat a retreat. 

Robert 
Come in, my child! Come in! You have only fallen among the 
Philistines - Little Red riding hood, but there ar-e na ^^oives 
here to devour you, 

Molly 
Please- Mr. Hcicftle, 

Robert 
Ah - you know me , ' . 

lHolly 
Yes sir - 

Robert 
But I don^ t know you. 

Molly 
I am Molly sir. 

Robert 
Molly eh? Molly "what"? 

I'olly 
Just plain "Molly" sir. 

Robert 
Molly - you can't deceive me, youare Molly of the basement - and 
your other name is De Cover ly< 

Molly 
No it isn't sir, 

Robert'. 
Aren't you the little girl - v/ho runs av/ay when you meet m§ 
in the halls? 



10-B 

Molly 
I don't run away, I just slide out of sight, sir, 

Clinton 
Oh this is the mysterious little Elf who haunts the corridor, 
eh? Molly we must hare a drini to-gether. 

Molly 
(Draws back) Oh - no - sir, 

Clinton 
Hiy not? 

Molly 
Because -- I never touch it, thank you, 

(Maudlin) The idea ofhim wantin' to tenpt a p««r chil* to drink 
Georgie! That man is puffeckly disgustin. 

Oeorgie 
Aunty - "behave, 

Araands. 
How can I help "beharing - when I'm a chape3*on«? 

Molly 
Please - Mr, Tenple, 

Rober-t 
Yes, Molly! 

MQlly 
This is for you, (Hands him envelope) 

Robert 
Oh yes, from Schans the art-dealer - why - this letter ^s been 
Opened. 

Molly 
Yes «ir, and - and part of the money* a gone, and I've come up 
here to tell you why. but I canH say It - before_'--JDef ore all 
these people, (Robert patises, puts envelope in his pocket) 

Robert 
Georgiet Have you called on rangely to-night? 

Georgie 
Not yet - 

Robert 
Well - I think you ought to - Dick - you - gO with her and 
introduce Mr, Morgan. 

Georgie 
Come on Aunty! And we* 11 meet Mr. Langley - Ific, Langley is 
another artist friend of mine. 

Amanda 
Thank you, I am comfortable here. 

Georgie 
But I'm going. (Tries to take h«r arm) 

Amanda 
(Waving her off) Go as far as you like. 

Georgie 
But I need you as chap er one. 

Amanda 
Tlmtts so - has he anything to drink in his joint? 

Robert 
I donH think so - you had better take something with you, 

Amandc 
®h very well. Give them to me. (Grabs a couple of bottles) 

Regy 
I'll carry them for you, :Jrs. Squill dickle - You have all that 
you - yourself can carry now, (Takes bottles) 

Robert 
Come back before you are going home. 

Amanda 
Sure! (Pins on hat wrong-side foremost, the feathers get in her 
nose, she blows and slaps them away, comedy business. Georgie arti 



Clinton exeunt L.U.E, to-gether, Amanda catches Regy*s arm for 
support, they exeunt L.U.So Amanda ■blowing away feathers) 

RoToert 
How Molly, what^s the troulole? 

Mori.y"~"--- 
Oh please, Mr. Temple, you won't put Daddy Roger in jail, 
will yOu? 

Rohert 
Daddy Roger? That's an odd way to speak of your father, 

Molly 
He ainH my real father, I just adopted him, that^s all. My 
father and mother died when I was a little tiny thing, so 
small that I can*t remember, and I was "brought up "by Daddy 
Roger and Mrs, Daddy Roger, until she passed away too. She 
was awful good to me, and she asked my promise to look after 
and take care of Daddy when she went to the angels, and I*ve 
tried to, I've done the "best I could, and I'm trying to 
square him now. 

Rohert 
And what has Daddy Roger been doing child? 

Molly 
(Gravely) He has stoled two dollars of yourn, 

Rohert 
What - two whole dollars? 

Molly 
Yes sir, two whole dollars of the money paid for the picture. 

HoToert 
(Sternly) Why that is willful - perverse, not to say con- 
structive emTsezzlement. 

Molly 
(Puzzled - seriously) Oh Lord, thattg awfia, ain't it? Will 
they send him up for life? Oh Mr, Teaiple , I':j.l see somehow 
that the money he tooked is paid hack. ..Deed I will, only 
wait a little while. 

Rohert 
Do you know you are asking me to co]i5)ound a felony. (Suddenly) 
Molly2 You've a smudge on your cheek, 

Molly 
i suppose so, sir. I was c cryin' sir, and I wiped bqt face 
with the dustin' cloth, 

Robert 
Do tears come often to you, Molly? 

KollY 
Only "twicet" or three tiioes a day sir, that ain't mmch sir. 
It's the wives and mothers who cry the most in this 'ere v/Orld. 
I've noticed that. They don't have the time to think over the 
beautiful things in life, that we young girls has - sir, 

Robert 
And you find many beautiful things in life, Molly? 

Molly 
Oh yes, Mr, Temple, in the summgrtime mostest of all. I go 
int<> the little park near here and see the grass and the 
flowers. Hundreds and hundreds of reses, real roses, and then 
the birds and the sun-shine even when the sun sets and goes 
down like a big golden ball, turning the clouds all col^Ors 
like on your palette there, and then the night, when the stars 
are shining like diamonds in the sky and when the moon is at 
it^s full - the beams creep in through our shutters in the 
basement and i see them dance upon the wall, and the winter 
is nice too, only it's so cold. You like iiJiat is beautiful 
in this life too, don't you, Mr^ Temple? 

Robert 
I hope so, Molly, 



12-B 

Molly - 
I knowed it. I knowed you did,, You hare cTcry thing so 
nice here. You know I've locen in here "before. 

Robert 
You have? 

Molly 
Oh yes, when Daddy Roger was piffled and couldn't clean up. for 



Robert 
Molly 



you, 
PifHed? 

Soused-— 

Robert 
Oh yes, we'll say "indisposed" 

Molly 
In-dis-posed - say - they only say that aborut the leading 
actors, principles, tenors and priiia, - doiiaas and sich they 
get "Indisposed" - when ycu-re in the chorus or among the 
■^supes" and you get leaded ° you're just a plain drunk - 
Daddy Roger learned me thcto 

Robsrt 
So you judge that I am esthetic ■» on acco-unt of my studio 

Molly 
I*ve seen that - ^Pointir^ to picture on easel) Anyone who can 
make an angel like that - must lovs the beautiful - You made 
her out of your own head, didn't you? 

Robert 
Hardly, she's a liring "breathing wosoii, 

Molly 
(Firmly) Uo - «h« ain't - you^ve given her something - she 
hasn't got - something thCwt belongs to Heaven. We women all 
belong to earth until we ces God "• and He has to nake us all 
Over again until we are fit to dwell with him, 

Robert 
,¥ell, we will call the lady - my angel at all events. 

Molly 
I hope - Mr, Teiiple she will be your good angel, 

Robert 
But tell me of Roger again, what did he do with the two 
dollars? 

Moily 
He made a "front" with it, 

Robert 
"What is a "front"? 

Molly 
He spent it at O'Kalley's on the corner<, You know he was - 
that is ~ he had a "sort of skate on" when you sent him after 
the fifty dollars and on his v/ay backj he met some friends 
in the profesh - who "blev/" him to the drinks and he wanted to 
hold up his end and he bought - and - and there you are. He - 
he gets paid on the second of jariuary, i^hen the collector 
comes after the relets, and I'* 11 see that you are returned the 
money, and he'll never do it again - never, never, no more. 
Oh, Mr. Temple, don't "persecute" Daddy Roger, for his com- 
pounded fellowments" and his "construction Eezzlery". Just 
give him a chance, won't you? Just one.! (Bursts into tears) 

Robert 
There - there little girl. I xvas only teasing you, nothing 
shall happen to Roger, do n-t cry my child! Don't! Don't! 
(Takes her to his breast, and kisses her on the fore-head as 
one miglit kiss a child) (jolm Morgan enters and sees action, 
Morgan is about sixty y^ars of age, but vigerous and erect, 
white haired, well groomed, plainly but fashionably attired, 
quietly assertive and dominant in mam^er) 



' Morgan 
AhemJ When you get througiij young inan, I -want to talk to you/ 

Ro'bert 
Eh, (Turns) Indeed - did you knock sir? 

Morgan 
No sir, I dida»t - and if! had - you possibly were too busily 
engaged to have heard me. 

Robert 
(Coldly) That does not constitute an apology for your intrusion, 
sir. 

Morgan 
(indignajit) Apology? 

Robert 
¥es, don't you think that one is necessary? This is ^ijr 
private studio, not an hotel lobby* 

Morgan 
(After slight pausie) You are right, sir, pardon me. 

Robert 
(liTods coldly) And now, sir, may I inquire your bi;^inesa? 

Morgan 
I aia looking for «y son, 

Robert 
And yoiu* son is - who? 

Morgan 
Reginald Morgan - sir. Reginald Plunkles Morgan. 

Robert 
Oh, Regy, Then you are Jolxa Morgan, the banker? 

Morgan 
(stiffly) ¥es sir, you are Robert Teiaple, the artist? 

Robert 
Yes air, f Indicates Molly) Mr, Morgan, this yoxing lady ig 
M»lly. the janitor's daughter „ Molly Mr, Morgan. (Morgan 
surprised, no4s stiffly to Molly, Molly returns nod timidly) 

Moi^an 
Hum. Yes. 

Robert 
Molly, will you have some lemonade. 

Molly 
(Timidly) If younplease. 

Morgan 
I was returning home from the university club and saw my son's 
car waiting outside this rookery, his chauffexir told lue tivp-t 
he and that incorrigible Roue - Richard Clinton were visiting 
you, sor, and I sm. here to take him home. You can understand . 
Mr, Temple, I hare no objection to art in the abstract^ 

Robert 
That is very kind of you. (Places lemonade on table) 

Morgan 
When I say art, I mean painting, you have musicians, in this 
building, 

Robert 
Alleged musicians yes, Molly have seme cake. (Gets dish of 
cake from side-board, forces Molly into chair by table, Kolly 
timidly takes cake munches it, starts at Morgan, siips 
lemonade) ja the lemonade sweet enough Molly? 

Molly 
Oh yes, Mr* Teiqple. 

Morgan 

I detest music, I loathe musicians. 

Robert 

II am gorry to learn that, Mr= Morgan. 

Morgan 
oxAnd actors and actresses - I suppose you have them ;Ln J;he 
Wi.lda.ng* too- 



Ro'bert 
Yes, I "believe we have them also» 

Morgan 
I despise them - I object to my son visiting among these 
degrading sxuT^oiindings - I don't want his better instincts and 
healthful cOramon sense poisoned by the atmosphere of Bohemia - 
and that is why 1 am here - to take hiai away. 

Rober* 
(Sarcastically) Bohemia will fell the l«s« acutely - sir* 

Morgan 
I pipesume so - A young fool with money is not often met with 
your circles. 

Ro'bert 
That's a fact - A young f6ol with money is a rare novelty here. 
Indeed we hardly count money as one of our assetii - Brains 
are owe chief a took in trade. 

Morgaa 
Brains, eh - well. (Loudlaughteroff L, ) 

Robert 
liEr, Morgan - your son I tliink is returning, (Enter Clinton 
and Georgie L.U.E. ) 

Clinton 
tSees Morgan) Why if it isn't Reggy?s governor- Hello - wlhy 
you old sport! ifhat are you doing so far from home? 

Horgaa 
Keep away from ite - don't address me in any way. 

Clinton 
Eh! Oh come now, Mr. Morgan that is not "Clubby" 

Morgan 
What are you doing with my son, sir? 

Clinton 
Oh - we're not doing a thing to him - Aunt Pickles has him in 
tOw. ^ 

Morgan 
Aunt Pickles? 

Clinton 
Yes, Dill-pickles J 

Greorgie 
Shefs my chaperone - sir. 

Morgan 
And who are you? 

Georgie 
Mr. Robertas model - sir. 

Morgan 
Model? (Xooks at her in disgust) Oh indeed. 

Georgie 
But only for the figure aiad draperies - sir - sometimes. He 
never paints my face sir. 

• Clinton 
Uo - Georgie does that herself. Don't you Georgie. (Morgan 
groans) (Georgie threatens Clinton with syphon bottle) 
(Enter Regy and Amandf L.U.S, Amanda is clingingto Regy, they 
come to C, enter Roger de Coverly who crosses behind them 
over R. ) S 

AjiR,mda 
Regy dear. Oh Honey biinch, ain't you going t<3 wd,it for your 
little girl? 

Regy 
{Sees Morgan) Holy Mackerel! The Governor. 

Morgan 
So - sirj 

. - ^®sy 

(Stammers) yes sir. 



Morgan 
Come away from that Monster's side immediately. 

Begy 
Yes sir* Bob, hold Aunty, v;OnH you? {Puts her in Robert's 
arms ) 

Robert 
Delighted Old chap, but Clinton is more experienced than I am, 
(Puts her in Clinton^s anas) 

Clinton 
Whenever i get a good thin^, i alxvays pass it along. (Turns 
Amanda Over tO Roger De C overly) 

Roger 
pardon mel (Puts Amanda in chair R, of ta"ble) 

Iforgaa 
fTo Regy) Tell me - sir - howis it I fini you in such a place 
and amont these people. 

Regy 
Oh these people are all right, governor. 

Morgan 
(Sarcastically) Oh, are they? 

Regy 
Oh yes, artists and actors j etc. 

Morgaxi 
Is that fat woman an actress? (Pointing to Aaa^ada) 

AjcB-nda 
What?s that? jrWhatts that? (Grabbing bottle) What is that Old 
fossil saying? (Business of all calming Amanda, and (disarming 
her of bottle) 

Morgar. 
You know ay feelings xn regard to the theatre? 

You must excuse my father - my friends, you Kee he's a banker 
and - he don't \inderstand. 

Amanda 
I wouldn't care if he tended barin Kid McCoy's - he can't 
slixr me, 

Roger 
A Banker, eh, you can inform your respected progenitor that 
I aa the only one allied to the "profession" here. 

Morgan 
What - you call acting a profession? 

Roger 
I do sir "Banking - I term a trade, 

Morgan 
Oh that's all very •well , but it has been over twenty years 
since I was in a theatre, 

Roger 
Sir, it has been the same length of time Since I was in a — 
bank. 

^TRegy 
(Aside) Governor, why are you so prejudiced about things and 
circiomstances you don't understand. You have nursed the 
hatred of years just because my olde'sjir sister - 

Morgan 
Silence, I forbid you to apeak cf her here among these pe»ple* 

Regy 
And again I say - You're -.vrong. Governor - why Bob Teirrple here 
is making a grand reputation. He has a picture on the easel 
there that you would give any money to possess, 

Morgan 
Indeed. (Ironically) 

Regy 
Yes - indeed - it's a portrait „ 



Morgan 
Portrait of whom? 

Regy 
Behold and judge - (Lifts curtain from easel) 

Morgan 
(Starts) Eveline- Eveline; "VTiiy - (Long pause) She speaks 
from the very canvass wonderful J Wonderful? It is she! She J 
The full sensuous underlip mocking the upper and giving the 
lie to child? s eyes which are still wide with the wonder of 
men and things* (Turns to Rohert) I must congratulate you 
Mr. Temple and must ask v/here you met Miss Livingston. 
(Morgan's manner of marked respect) 

Rohert 
At her home and at the houses of others in her set - Mr. 
Morgan. 

Morgan 
But xvhere did she sit for this - here? 

Rohert 
Ifo, I have carried her image always with me, sleeping or 
waking. 

Mo rgan 
You must sell me this portrait - Kr, Temple, 

Roherl; 
It is not for sale--- 

Morgan 
You can name your ov/n price, 

Robert 
i woiild rather sell my soul, sir^ 

Morgan 
Strange that so much artistic genius should 'be accompanied vriL th 
so little practical sense. However, think the matter over, 
come Reggy. 

Regy 
Your pardon - Father, I have promised to give these ladies and 
Clinton here a lift to their Siomes, my car only holds four 
he sides the Cg.auffeur., 

Clinton 
Oh never mind ahout me. I'll renain with Boh and see the old 
year out. 

Regy 
Then there'll he room for you Governor. 

Morgan 
]fo, tliank you I - A promise is a promise - you must keep your 

word to the ladies. (G-eorgie helps on Amanda with her 

wraps , Amanda growling) 

Amanda 
I don't know what weire breaking up for now. This is only 
the shank of the evening. 

Georgie 
Now aunty! 

Amanda 
Oon't Aunty me, 1 never seen such a lot of cheap skates. 

Morgan 
(Crosses L. ) Good night, Mr. Temple'i I will see you again - 
and will explain to yon and -•j'hy I have a better right than 
anyone in this i-.rorld to that picture. (Exit L.UoE.) 

Georgie 
Come Aunty I Come! /Taking her arm) 

Amanda 
■''There is Regy? Take my other arm Regy - it meems as if my 
legs don't belong to me, 

Georgie & Regy 
Good nifht, IKr. Temple) Happy ITew Year! 



17-B 

Robert 
Happy l^ew Yeari to all! (Georgie, Amanda and Regy exit L.U.E, ) 
[Molly goes over, kneels "before portrait, looking up at it) 
(Robert goes moodily over to ta"ble to Clinton) Did you hear 
that last remark of our plutocratic friend? 

Clinton ^ 

YeSj that diamonds are tr'amps, (Bob starts) Yes, ^Pointedly) 
Does it not convey a meaning to you? 

Robert 
A meaning? What meaning? 

Clinton 
Good God, Bob it seems incredible that you could have been sO 
blind- 
Robert 
Blind? What do you mean? 

Clinton 
Eveline Livingston wears the finest diamond on her fore 
finger that Tiffany cOvad furnish - that's all - she has 
weighed conditions as to whether she would rather be an old 
manis darling than a young manss slave, and the young man 
kicks the beam. "Why the engagement is the sole topic of 
conversation in her set. She is the envied of her sex, and 
Bob old boy you are the "fall guy" that is all. 

Robert 
(With passion)' Clinton if I hadnH known you so long, I*d 
brain you where you stand. ^ You are slandering one of God^s 
Angels, could that wonan, ^Pointing to canvas) Be a living 
lie? Could she pledge her troth to me two nights ago, and 
with my kisses still warm upon her lips, listen to the love 
story of another - an old decrepit dotard - Look at her! Could 
those lips breathe deceit? 

Clinton 
That's Just it, Bob, it's a grand portrait of the lady or your 
dreams, but you have given it soioething that Eveline Livingston 
doesn't possess, Boul. that sap-head Regy had it right when 
he said you had idealized - celestialized. It is she, and 
then again - creation - not the society flirt, 

Robert 
(Hoarsely) I warn you to stop " Clinton, 

Clinton 
liTOj I must be cruel to be kind. You must be awakened from 
your fools paradise. This woman has been collecting scalps 
like a Sioux Squaw, ever since she was bou^t out ~ she may 
leave you bald-headed, but I'll be damned if i an going to 
stand by and see you burned at this intake, (Slight pause, 
Robert walks nervously up R,C.) How take my advice, separate 
old Morgan fron his coin-sfell - him the picture for all you 
can get out of him, and give them both the laugh. 

Robert 
Go away. Leave me, I am sick of your blaspheny, 

Clinton 
All right - Good-night, but you'll find out, I am telling you 
the truth. (Goes to picture after getting coat and hat) Oh 
woman] Lovely womanj Angels are paint6d fair to look 
like thee! Angels instead of devils. Ah! There's the 
mockery! (Exit L.U.E, long pause) (Robert hasreseated himself 
moodily at table L. ) 

Roger 
Mr. Robert! (Molly rises from picture) 

Robert 
Well - 

Roger 
I suppose Molly has told you. 

Robert 
■(Pre- Occupied) ves - no - tele me what - 



18-B 

Roger 
Ahem about the money - I "'borrowed" from you, 

Robert 
Oh - forget the matter - Roger - 1 have 

Roger 
i*ll pay it back at ten minutes past four - the day after 
to-morrow. 

Robert 
DOnH trouble yourself. 

Roger 
Oh I must - You - know "once a gentleman - always a gentleman" 
"Vice versa" AhemJ There's something else I want to apoligize 
for, 

Robett 
(Wearily) Roger, a man who is good at apologizing is seldom 
good for anything else. 

Roger 
But I want to remain a gentleiran - You know - Once a gentleman 
always a gentleman - Vice Versal 

Robert 
1^ell, what is it? "What is it? TVhat is it? 

Roger 
(Producing letter) This special delivery letter came for you 
this afternoon while you v/ere out - and I forgot to deliver 
it, (Hands letter) 

Robert 
(Looks at Superscription) From her - in answer to mine. Oh 
Bless her I Blessherl She is thinking of me, (Opens the 
letter in feverish excitement) (Skins over letter) lily GodJ 
It is true, (Molly takes Roger's arm, exit L.U.E.) 

Robert 
ISy Dear !4r, Tenrple:- I must beg of you not to write me again 
in such a foolish strain. How you cotild have mis unders to odour 
friendship - I am at a loss to fathom - I have always admired 
your talents and shall be pleased to hear of your success in 
your chosen career, rast evening - 1 accepted Mr, Morganis 
proposal of marriage. I must request therefore, you to cease 
all fxirther correspondence which is time wasted for you and 
distressing to me. Very truly, E.L. P.S, I v/ill mention to 
Mr. M, - about my portrait - which I understand has merit - 
if you approach him right - he xas.y purchase it of you. 
(Robert gazes at letter as if turned to stone then suddenly 
arouses himself) (Goes to painting looks at it) Clinton ijras 
right, the woman 1 worsbipped doesnot exist. Come. Oh 
Pictured lie - from off the canvas, you shall not furnisSi 
further proof 4hat I have enshrined a mighty shame in my 
heart. (Takes his knife, from pocket, cuts picture from frame) 
(Crimaples it up and throws it in the fire-place) (Looks at 
clock on mantel)Almos t midnight, time to write to r.angley and 
then ^dien the old year dies. I will pass away v;ith it. (Goes to 
side-board, takes out revolver from drawer, -lays it on table, 
picks up pad of paper, anoL writes) ULy Dear TSLx^ley. I leave 
everything I am possessed of to you - don't judge me too 
harshly for my act as - (ICnock at door L.U.E.) Who's there? 
(Hides revolver under paper) 

Ifolly 
(Enter) Only Molly! 

Robert 
(Half impatiently) And what do you want now, child? 

Molly 
Only to be near you, v.rhen the new year comes in. i want to be 
the first to wish you a happy one,. But I know it will be 
happy - for anybody who is as kindas you are to others can't 
fail to be happy - Sometimes I think that's the "bestest joy" 



19-B 

in all this life to do good to others, and please sir - I've 
"brought you a little present too. (Takes little floxver-pot 
with geranium from under shawl) I growed this little flower 
all by myself. I saved it from the cold - and gave it the 
sunshine - I hare loved it, please sir - and I want you to 
have it, (Rohert rises) and when you look at it, you'll 
remember me. (Rohert takes flov/er pot from her, chimes souad 
outside) Listen Mr. Robert, the new year, has cone, Hear the 
hells ringing it in. Oh Hir, may you have all in life you 
wish for. Hear the hells, ainH they happyl Ain't they 
happy. (Goes to ^vindow, draws aside, curtains the moon shines 
in) 

Robert 
(Looks at her, then kisses the geraniijm) 

Molly 
(Comes down sees the mutilated frame Cf picture) Why - ^'/here's 
the Angel Lady? 

Robert 
The angel lady has gone , IiJolly^ 

1^0 lly 
Did - did you sell her to that old man? 

Robe:Et 
Uot exactly. It's 2^ impression - she sold herself - but we 
vifon't worry about her Molly - I feel the presence ofanother 
Angel now. Tellme, child, don't you really kno ■ your other 
najce? 

Molly 
No - only Molly] Just Plain Mollyl (The chimes ring out) 
Listen J-Tt, Robert, Listen! (She pulls him up to window, they 
look out of it to-gether in the moonlight as the curtain falls) 



C U R T A I IT 



1-B 

Act 2nd.v 

(Six months later. The set same as Act lst» Robert Temple.' s 
Studio) (Time: Afternoon^ sound of key heard in door L,U.E. 
At rise, Robert enters^ he is dressed in black frock suit, 
dark gloyes, silk hat, etc.) 

Robert 
(As he enters) Come in - DickJ Come in« 

Clinton 
(Enters L.U.E. ) Well I^m glad I found you in this time. Where' 
in thunder have you been ci,nd v/hat are you made up for anyway? 
You look like a sky-pilot; 

Robert 
I am obserTing the conventionalities. Dick, am just bade from 
Evergreen -where we laid poor old Langley away this afternoon, 

Clinton 
(Carelessly) Dead, eh? Oh well, he's better off. 

Robert 
(Seriously) Yes, he's at rest now. He h^d a plain modest 
little funeral - one solitary couch, Daddy Roger, Molly and I 
were the only occupants. 

Clinton 
Oh well, for the love of Hike, don't go into mortuary details 
You did all you could for him, and he really had no claim on 
you. 

Robert 
All the claim in the world, Dick. He wasaloyal friend, an 
artist of talent and a gentlenan, 

Clinton 
I heard around the studios, that his heart was broken over some 
wonan. Is that so? 

Robert 
I don't really know. 

Clinton 
Why didn't he tell you about it? 

Robert 
No, he was too much of a man, 

Clinton 
But you were in his confidence, 

Robert 
Yes, but there are happy some men in this world v/ho hold a 
woman's secret sacred, and never breathe it to their dearest 
friends. 

Clinton 
Oh, that J s all sentimental rubbishi I'll be hanged, ifany 
woman even did me an injury if I'd spare her, i*d rap her 
when ever the chance presented itself, 

Robert 
Ah, well you see you are not the kind of chap, poor old 
Langley was 

Clinton 
Oh welllet Langley rest, I've got some news for you. You'll 
enjoy hearing it. It's about old Iiorgan and his bride, They'^re 
having blazes - she's the devil and Tom w^alker, shet<?> make 
his happy home to hot to hold him. He I s b^en sleeping at 
his club for a week, and they say she is meditating a trip 
to Reno. She's got Morgan'- understudy on the string - and. 

Robert 
(interrupting) Will you excuse me, Dick till I've changed my 
cOat, I am going to get through a little wcrk this afternoon - 
while the light lasts. 



2-B 

Clinton 
Oh come now Bo'bl This air of indifference might deceive some 
people - hut it don't go -jvith kob.. I cannot forget your infatua- 
tion for the fair Eveline - and how she threw you over for 
"Old Money Bags" - and I doubt that in six short months you 
have forgotten it either. 

Rohert 
Dick do you consider it the part of a friend to attenrpt to re- 
open a woimd - that you infer is not yet healed. 

Clinton 
(Half ashamed) But I — 

Robert 
1 have finished that chapter in my book Of life, have closed 
that particular volume and laid it away on the shelf never 
to be re-opened. 

Clinton 
Bob, you are not naturally ^ilosophical - (Ironically) Your 
good genius - or perhaps some guardian Angel was '-vatching over 
you, 

Robert 
Perhaps r 

Clinton 
But unfortunately I don't believe in guardian angels « 

Roberit 
I am scrry for you - I do believe in them, 

Clinton 
As the drummer from vans as City said - you've got to show me. 
[Molly enters, simply attired, but much neater than in Act 
1st) 

Molly 
Are you ready for me yet? Mr. Robert? 

Robert 
In a minute, my child. (Goes off R. ) 

Clinton 
Well - haven't you a word for me, Molly? 

Molly 
Good afternoon - Ifr. Clinton. 

Clinton 
Tut! Tutl That is too formal by half ~ Mr. Clinton - why 
not. "Dick"! (Clinton looks at herinsolently) By George, 
Moliy, you are getting better looking every time I see you. 
(Lauras) It ?5han' t be "Plain Molly" - with you any more, 
it must be Divine Molly - Adorable Molly - Hasn't Bob ever 
told you this? 

Molly 
No - Mr. Clinton! Nobody ever says those things but you. That? 
what makes me think - that - 

Clinton 
That I love you,. Molly. 

Molly 
' No, that you are not responsible for anything you say. 

Clinton 
Oh, come, Molly, don't attempt to be sarcastic — it don't 
become you - 

Molly 
(Thoughtfully) People only love beautiful ladies like Mr, 
Robert used to paint, but now don't paint no more. Lore 
only comes to them, to make them happy. 

Clinton 
(Bitterly) Happy, oh yes, pcssibly - she is happy - without 
soul - without pity - without honor - as mindless as any 
flower that blows in the breeze, but a flower that poisons 
all who breathe near it^ she is happy because things without 
conscience or brain cannot suffer. Because Gold nakes the 
Paradise of such creatures as she. 



3-B 

Molly 
It ain't right to speak of any human in that vra.y, 

Clinton 
Ah, hut she is not htisiaa 

KOlly 
Did she ever dO you an injury? 

Clinton 
ITo - she educated me. 

Molly 
Then you oughtn't to he so jaore on ker, Eddication is the 
grandest thing in the world- least ■<ira,ys , I think so, 

Clinton 
Do you? 

Molly 
Yes, I'm getting one. 

Clinton 
■Where? How? 

Molly 
Prom JEx, "Rohert - He knows everything. 

Clinton 
Marvelous - does he? 

Molly 
(Confidently) Oh yes. 

Clinton 
The heautiful lady of whoia we were speaking did "Boh" a great 
injury. 

Molly 
(Slight pause) Did she? '^at a funny world this is. You're 
sore - and he ain't. He can forgive and forget - and all you 
can do is to "Knock". Why don't you try and he like him. 

Clinton 
Would you care J for me more, if I was like him? Could 3rou 
have a little pity in your heart for me? 

Molly 
(Seriously) I pity ; )Vl ncTr„ 

Clinton 
(Laughs) Well, that v;ili help some. "What did your Baddy Roger 
say - ahout me - after we parted the other night? 

Molly 
Well, I shouldn't like to tell you - 

Clinton 
Go on, please tell me, 

Molly 
Well, he said - Oh - I'm afraid it will hurt you, 

Clinton 
Not at all, go on - go on- I don't care v^rhat he said. 

Molly 
If you don't care v^^hat-s the use of me telling you? 

Clinton 
I mean - I v/ouldn't get angry, he "sore" as you eloquently 
put it. Let me hear the 7«'orst--- 

Molly 
Well, he said. If tliat "dyspeptic dude" comes here peddling 
any more of his "hull con" around our hasement, 1*11 take a 
right handed monkey wrench, and knock his hlooming hlock off. 

Clinton 
My hlock off? My hlock off? 

Molly 
Your head, he means , sir I told Daddy Roger, there ain't 
nothin' in it, 

Clinton 
Ahem! Nothing in it, ah, hut there is. There's a great hig 
thought of a sweet lovely girl. "The thought" is in my hrain 
and her image is in my heart, and is never going to leave there 
can't you guess her name, Molly? 



4~B 

Molly 
I ain't Tery good at guessing 'but I -"11 try, (Thinks) I've 
got it. It's "Georgie" 

Clinton 
Georgie? Piffle J 

Molly 
Georgie Gut^bs , or maybe - her Aunt Aimndal 

Clinton 
(Laughs) Oh no. Axaanda hac the "v/idow" hahit. and I think 
GeOrgie is very much in lo'i'e \7lth Eob, I ^voixldn-t care tC' come 
betv/een Bob and anyone he caref for. No - Molly - you are 
the only wcman in the world for me<, Say molly, tell me. 
would you like to go automobiling this evening? (Approaches 
Molly, T;ho shrinks from him, he grabs her handi Knock on the 
door, L,U.?],) 

Molly 
(Loudly) ^ome in,' (Clinton drops her hand, Georgie and 
Amanda enter L.U.E. both v/alk as if exhausted, drop do^;m on 
couch over right) 

Clinton 
(Laughs) Why whatfs the matter, Georgie - you look like a 
little faded flower -and Aunty'aika a busted air-ship^ 

Amanda 
If you don't like rcsy looks, turn your lasps the other way, 

Georgie 
Now get peevish, Aunty? 3e good; Be good: 

AjDanda 
I dOn''t have to be good, I ain-t a chaperoning to-dayl Busted 
airship - indeed, (Robert re-enters R, Jias on studio coat) 

Robert 
Good afternoon, Georgie - Mrs^ Oilpicklel (Bowing) 

Amanda 
The same to you, Mr. Robert ~ you are a "real gent" I wish I 
could say as much for your friends ^ 

Robert 
. VThyj what's the matter? 

Georgie 
Aunty's cross - we've been busted, I mean moving •- it's the 
same thing. Everything Aunty and' me ha.s got is busted„ 
(Cries) That's what accounts for these weeps* 

Amanda 
(Sobs) You ought to see m;;^" grandmother i 

Robert 
Why I thought your grandmother had departed this sinful life, 
years ago, 

Amanda 
It*s her crayon portrait. I'm talking about. Her eye is gone 
and her no±se is smeared around to her ear; she looks like a 
^vhite man's hope after the thirteenth round. 

Robert 
"Why what happened? 

Amanda 
What didn't happen. ¥e hired a bunch of movers, expert movers • 

Georgie 
And they was a troupe of "jugulars" - and bum ones at tha+t - 

Amanda 
And they was to come around to our five by six flat at eight 
in the morning. 

Georgie 
And we was ready for them at seven - after getting up at fivsy ■ 
and cooked the breakfast with our hats on. I fried some eggs 
and then I found out we^d packed up all the plates - so we had 
tc eat out of the frying pan„ I burned my tongue "tho that 
I have been lithsping ever thince like Thunday school cherub, 
and Aunty spilled some grease on her foot and has been limping 
along to the tune of "Gassy Jones" 



5-E 

Amajida 
At half past nine four hruaan inastodons show up and after calling 
me little "Bright Eyes" just as if they T7as first cousins, 
tip us the hint, that a can of suds was the only thing thai 
could keep them moving, I fall for the Shake down and hand 
'em a dime, after which they enjoys themselves and talk 
about the weather. After about an hour or two, they start 
t*!) get busy and we hear a crash on the ground-floor as taJces 
ten years off my fair young life. 

Georgie 
It was our plate glass mirror, and I went after them with my 
hat pin, but the leading dynamiter said he have seven years 
of bad luck and that's enough punishment for anyone. Then they 
"broke anotherface- reflector " and then held a prayer meeting, 
saying as how they have fourteen years bad luck. Now - and 
whether I wouldn't donate another dime for stids. 

Amanda 
But why go on? They broke everything exeept the flat irons, 
don't let no one a-rer tell me again - it's cheaper to move 
than pay rent. "TOiy that wrestling match between those 
wreckers and ovir furniture means that we'll have to pay the 
installment man - two dollars a week for the next two hundred 
years. But come git down to business,, Georgie, I can't 
set here all day, 

Gecrgis 
V/eil, 1 called Ifr. Robert to - to - (Hesitates) 

Amanda 
Don't beat around the buEla. tsll himj. you called to have an 
interview a private interriewj where there is no rubberers or 
underminersj designing conapirlng creatiires^ (Looks viciously 
at Molly) to "butt" in and rob you of your rights. 

Ge orgi e 
Be quiet Aunty, forgive her, lEr„ Robert, she means all right, 
but she don't luider standi 

Amarda 
Don't I? Don't I? l^ra. the wise woman of forty fifth street 
and don't none of youse forget it^ 

Robert 
^'''hatJs the trouble , .Georgie? 

Georgie 
I'd like to have a little talk with you, Mr, Robert. 

Rober-tt 
Of course, step in here, Georgiel (They exit, Georgie and 
Robert R. ) 

Clinton 
(To Amanda who sits glowering at Molly) v/iiat's the matter. 
Aunty, do jrou feei hurt you? 

Amanda 
See here, Ur., Preshl I'm not yoirr Aunty, and you needn't be 
inquisitive about aay personal belongings. 

Molly 
But we are both sorry about your feet, Mrs, Dilpickles and 
if I can do anything 

Amanda 
See herel I don't want no "symphony" from nobody - especially 
frOm you. Oh J OhJ I just hates to set in the same room 
with a snake in the grass, Oh' Oh.1 (Molly recoils from her, 
half frightened) 

Clinton 
Snakes? Snakes? (Looking around) I don't see any snakes. 

Amanda 
(\7ildly) I do - I doj 



6-B 

Clinton 
(To Molly) She^s got them - Have you had a drink to-day Ifrs . 
Dilpickle? 

Amands, 
That's notody's 'businesSj tut I ain»t. 

Clinton 
¥y dear lady, take my advice and don't break off so suddenly. 
Taper ofjf' Taper off| 

AjaandG, 
(To MDily) Let me tell you - what erer your name is, that 
them as digs pits for others j falls into them - herself- Oh 
you little cati 

Clinton 
Why - what is the matter vith you, woman? 

Amanda 
Don't woman me, you're another--- 

Clinton 
Are you crazy - what are you ahusing Molly for? 

Aranda 
"What for? v.Oiat for? AinH she come het-ween this artist 
fellow and my Georgie - ain't he derotin' all his time to her 
now — paintin' her instee^dof my neice? "Spiling" Georgie «s 
hopes of hein' settled in life and perhaps drivln' her on 
the stage to support iis botlij a.nd me nerer haring an3/-thing 
to do with the "hiz" since Sam T. uack cashed in/ 

Clintcn 
The stage? ^'/hy Georgia' *.70uld never make an actress in a 
hundred years. 

Asaanda 
Oil don't you fool yourself. All of us feiiK^es of our family 
has talent. All the "big ti'-ieatrical "maggots" are after us. 

GlintOi.^ 
Maggots? Oh you mea-n "te-v^xiatss" 

Ajsanda 
They're the same thing => Clew and Ahehanger and the shoe pups 
are not on speaking ternB nowj and just because of Georgie. 

Clinton 
It certainly will he a terrible thing if GeOrgie is forced 
to degenerate from her proud position as an artist's model to 
the aitUDignity of a stage career. Bob certainly should come 
to the rescue, 

A2a.ndc, 
(Goes R. listens at door) They^ra a long time, I think I'll 
butt in and start s cms t'b.ln.g„ 

Clinton 
That will help some, 

Amanda 
I'll do it, (Exit R. ) 

Molly 
(Alarmed) ^Vhat is that old woms^n going to do, whatts she 
going to do? 

Clinton 
Something idiotic] Poor GeorgieJ Poor Georgiel I can't help 
feeling sorry for her, though„ ^Shakes his head disapprovingly) 
jSob isn't behaving right by the girl„ fSighs) However he 
can't help it though - he has the artistic temperament-- 

Molly 
(Plares up) Don't you say anything against Mr. Robert. Don't 
you dare. 

Clinton 
"Why should I? ITobody thinks more of him than I do, I only 
vf±ah he was less unstable that is all. It is thelast pretty 
face that attracts him, ^^3^ he has thrown down "Georgie" a 
half a dozen times, and she wOrJiships him, and always comes 



7-B 

"back. His last infatuation - the ~ society girl Toefore you 
came into his life, she stole a marcli on him and anticipated 
his periodical tired feeling - and little woman "believe me, 
he'll tire of you too. As Tennysons say - "He'll" hold thee, 
when his passion shall have spent it's novel force" something 
"better than his dog a little dearer than his horse." 

Molly 
I don't care what Sssn^i^s. Tenny's son - or anybody else's sOn 
says. Anyway they've got no "business to talk about Mr, Ro'bert 
and me, and he don't own c dog, or a horse neither. I don't 
know what you people think "but l£r. Robert don't loveme. He 
just likes to have me around, and I - I like to be where he is, 
I like to hear his voice. I like to see him at. his work, I 
like to have him take an interest in me, and teach me all 
about this great xvorld, and the things of which I knov; so 
little. 

Clinton 
There may be others also who would gladly show the wonderful 
world Molly - 

Molly 
Maybe. ^-- 

Clinton 
Surely.' 

Molly 
I'd ratherhear everything from Mr. Robert, 

Clinton 
WoixLd you - like to help break Georgie' shear t? 

Molly 
Why no - but - 

Clinton 
"Wouldyou like to find out if Bob - loved yOu? I can help you 
to find out, if you will do as I ask you, 

Molly 
Do - do v/hat? 

Clinton 
Accept my invitation and come motoring with me this evening. 
(Molly looks at him steadfastly) You seeif}-']ae doesn't love 
you he will be. indifferent - and if he does, love you, he will 
be very angry - jealous in fact, 

Molly 
Angry - with me? 

Clinton 
With both of us, 

Molly 
But I don't want him to be angry with me and if you'll take 
the advice of a girl who don't know very much - you'd -better 
not get him angry with you - because 

Clinton 
Because - ¥es. 

Molly 
Because - Oh, Mr. Roberts gets very angry - and then there is 
Daddy Roger] Oh Mr. Clinton! Take care of Daddy v/ith his 
right handed monkey wrencli, 

Clinton 
But Daddy needn't know, you mustn't tell Daddy our secrets. 

Molly 
I couldn't help it, I always tell him everything - you see 
he's a sort of a mother to me, since Mrs. Daddy died. 

Ajpanda 
(Outside) (R) Don't talk back to me, it is my business. (Enter 
talking angrily) Theidea! Thank the Lord, nobody never used 
me for a door mat. (Re-enter Georgie and Robert) Where's your 
spirit? Where's your spirit? 



8-B 

GeOrgie 
Aiinty! Hold your tongue. 

J Amanda 

I'll:' talk just as much as I please. 

iy GeOrgie 

(Te'arfully) Mr. Robert, T swear I'm not to blame f^r this, 
(R/^ger and Regy enter L.U.E. stand listening) 

Robert 
1 understand - Georgie. 

AiD&nda 
Of course you ain't to blame, It*s himi It's himj Oh I'd 
like to have him try some of his artistic "candodalalities" 
on me, I showhim something - GeOrgie - you're only a poor 
idiot and I'm the wise woman of fOrtj^fifth Street. Go ahead 
you miserable wretch and try and win me» I defy you! I defy 
youj 

GeOrgie 
Don|;| Please don't speak that way to "Bob" 

Aaanda 
(Shri-eks) 3obJ Bobl If you hare any pride you* 11 stop this 
"bob" business, you'll never "Bob" him again. Never again* 

Georgie 
Oh" be quiet and let's go home to our new flat, 

Amanda. 
I won't be quiet. I am going to expose hiit for a villiaii all 
over the building and outside in the street. 

Roger 
Old viTOman, if you start any disturbances in this building, 
I'll ring up the wagon. 

Amanda 
Woman? 1 ' 11 have you understand I am a laiy, 

Roger 
Anda^ am a gentleman - once a gentleman^ always a gentleman- 
Vice VersaJ ^ Slaps chest) 

Amanda 
indeed.' Well you'd better mind your own business, and attend 
to your daughter and that man - they'll laear watchin^k 

Robert 
(Aroused) We've had enough of this - ^/radam} Leave my rooms, 
Georgie, you will alwajrs b* weloTime-here, but never on. any 
account bring that woman -sTith you again. 

Roger 
(To Amanda) You heard what he said, get a move on you. 

Amanda 
You poodle-faced bonehead - get out of my way. I'll showall 
Of you something just waitj Just wait! (Swings hand hag, she 
carries against Roger's neck, and exits L.U.E.) 

Roger 
(Angry) It Is the wagon for you, sure now, (Exit after Amanda 
L.U.E.) 

Molly 
(Follows Roger) Oh Daddy Roger, don't be rough, ?leasej Please! 
(Exit L.U.E.) 

Georgie 
Mr, Robert] DOn't blame me for this, Aunty's - got a spasill 
thatts all, 

Robert 
I understand. (Robert and geOrgie exit L.U.E.) 

Regy 
Our friend TeiEqple seems to 2ie having the time of his life with 
the ladies. I wovild never have guessed he was so versatile in 
his affections, carries on quite a aumber of flirtations at 
one time doesn't he? He's had my respected step-mother - and 



9-B 

his model - and Molly of the iDasement all on the string 
toge ther « 

Clinton 
Your resepcted step-mother as you term her 

Regy 
Did I say respected - I meant "Suspected" I am here to-day 
on a littlematter connected with her, 

Clinton 
Hov/ is that? ^-- 

Regy 
She's giving the gOTernor - the devils own dance *- by the way - 
Have you ever encoiintered her here? 

Clinton 
Why, what a question? 

Regy 
It does seem odd doesn't it? But through some satanic motive 
she's given the governor the impression that she and Tensile 
meet clandestinely. What her idea is, I can't fathom - hut 
she has driven the old gentleman almost mad with Jealousy, 
I never saw my father in such a state- I'm afraid the 
affair will hecome a tragedy, (Robert enters L.U.E, ) 
(To Robert) Pardon rgr intrusion - Mr, Teoi^jle - hut I wOtild 
liie a few words with you in private, 

Robert 
(SuirpriEed) Mr, Morgan - I (Turns to Clinton) 

Clinton 
Oh that's all right, I am going - Oh by the way - Reggy - did 
you come in yoxor car? 

Regy 
Yes, it's below. 

Clinton 
Woiild you mi^ lending it to me this evening? 

Regy 

(pause) Take it, ITervo the mohkrj Take itl But don't get 
arrested for "speeding" and send to me to bail you Out. 

Clinton 
No danger^ if I thought that might happen I'd borrow the money 
nov/ from you to pay my fine, (Exit L.U.E. ) 
, Regy 

(After slight pause) (To Robert) l\fr. Temple, -mj business with 
you is of a rather delicate nature and I hardly know where 
to begin. (Pause) As you are doubtless aware - I am the son 
ef my father. 

R-iibert 
(Gravely) I have always presumed so. 

Regy 
Yes, and I take a great interest in the governor, he has latel;^ 
provided himself with a bride j and myself with a step-mother - - 
six months younger than myself- you krnaw the lady. ^Robert 
bows) Yes of course - you painted a portrait of her, Mr. 
Teinple will you sell that portrait to me? 

Robert 
No sir. 

Regy 
Ahemi I wouldnot begrudge any price, now let us say 

Robert 
It is useless to mention a price, Mr. Morgan. I wouldn't 
sell the pictiire if I could - and I couldn't if I would, 

Regy 
Ah, it isn't in your possession. May i ask if the lady has 
it in hers? 

Robert 
Deci_dedly not. 



Rolaer-I 



Hegy 
AhemJ (Coughs) Mr, Temple, I am going to ask a somewhat 
personal question - er - it may result in your throwing me 
out the window "but - (Suddenly) I haye forgotten - hut hov/ 
high are we up? 

One story, 

Regy 
Oh yes, one storyj I might only "break an arm or a cOuple of 
ribs^ One story, hut if I landed on ray head, that might he 
another story, 

Rflhert 
Proceed, Mr, Morgan, you are in no danger, 

Regy 
Thanks awfiollyl As I said "before - I am my father's son. 

Robert 
The family reseiiblance is not striking. 

Regy 
But I am not fond of my step-mother, I want to ask if you and 
she haTe been meeting since her marriage to my father. 

Robert 
(Startled) Sir Mr, Morgan - how dare-- 

Regy 
(Qxiickly) Pardon the insolence of the question - but I beg 
youx answer it - 

Robert 
No sir, I have not laid eyes on the lady, 

Regy 
Sir, will you allow me to take your haud? 

Robert 
Why — 

Regy 
Because if you are telling the truth, you are taking a g]?eat 
load off ray mind, and if on the other hand, you are lying to 
me - 

— Robert 

V/hat's that? 

Regy 
Ih? (Shrinking) Remeufcer, ymar promise and also the fact that 
we are rery high up, 

Robert 
Oh, stviff! (Turns away) 

Regy 
If yOu are lying, you are lying like a gentleman - and as yotxr 
friend De Coverly who lives in the basement says, once a 
gentleman, always a gentleman, 

Robert 
Kindly bring your interview to a close - 

Regy 
I will. Would yOu Icindly disappear for a time, Mr. Temple 
(Robert faces him in surprise) Get off the earth, go to 
Philadelphia, or Muscatine Iowa, or any placS? I wHl finance 
any enterprise you care to undertake, (Molly re-enters L.U,E. ) 

Robert 
But why? 

Regy 
(SeriOusly) I would have you save your Own. life, I would spare 
nry father, the coasnisslon of a crime. He is frenzied with 
jealousy. His wife piqued possibly by your calm indifference 
to the fact that she jilted you. Has persuaded my father that 
you and she have kept vip your friendship - more, an intimacy - 
since her marriage. I regard her as the worst of women, Mr 
TeBiple , andl want to friistrate her plans - I ) (Seeing Molly) 



11-B 

I -will call again shortly, Mr^ Temple, and trust you will 
think over what I hav>e said and help me to "beat this she 
devil at her hellish game, (Exit L.U.E. ) 

Molly 
What did that man say about saving yotir life, Mr. Roberts? Are 
you in danger. Tell me. Tell Molly -wl^r if anything happened 
to you, I wouldn't live, I couldn't life, 

Robert 
Therel There! Child, Ho only spoke carelessly. Remember - 
dear, "Threatened men live long" I'm in no danger more - 
none at all. The worst thing he wanted to do was to send me 
to the end of the earth. 

Molly 
The end of the earth? 

Robert 
Yes, get ready now, pose for me, won't you? There is light 
still for a little work, (Molly goes over to L. picks up 
scarf from couch, arranges it around head and shoulders, 
poses herself on cOuch, while Robert prepares palette - and 
brushes, and starts to paint small canvas en easel L,C,) 

Molly 
The end of the earth. Say - Mr. Robert - didn't you tell me, 
the earth was round like a ball. 

Robert 
I certainly did. 

Molly 
Then how can it have any end? Where is it's end located, 

Robert 
Well. (Biting the end of his brush reflectively! The term is 
generally applied to the "jumping off place" ay visitor 
mentioned Philadelphia, Muscatine and the South, pole, you can 
take your choice* 

Molly 
And the earth - goea round and round and round does it? 

Robert 
Yes, it rotates on it Is asiis, 

Molly 
Ehl Say what'e it*B axis? 

Eober* 
An imgginary line passing through the center. 

Molly 
Did you ever pass through the center? 

Robert 
Uo. 

Molly 
Why didn't you? 

Robert 
It would be impossible, but even if I could reach the center, 
I couldn't stand the heat,. 

Molly 
It is hot? 

Robert 
Very! You know Molly, we live on the outside, On the crust of 
the earth, 

Molly 
Live on a crust? Say, that^s mighty poor living, 

Robert 
It's forty miles thick, 

Molly 
Oil Hully gee! (Awestruck) 

Robert 
And all beneath that crust is a molten mass. 

Molly 
Red hot? 



12-B 

RolDeril; 
Yes! 

Molly 
(Confidentially) Say that's Hell, isn't it? 

Rolaerl; 
(Drops palatte and brioshes) Wlaat- 

Molly 
The center of the earfh. 

Robert 
(Bewildered) I - I don't loiow. 

Molly 
\fhy don't you? Oh that's so, you've never heen there. Oh 
I suppose - I must tire and shock you, and 1*11 never know 
nothing and I'll never be no better. 

Robert 
Don't say that Molly, you are going to be a bright loving, 
lovable woB»n. 

Molly 
Say - love always carries respect - doesn't it? 

Robert 
Always, Mollyl Always! True love always exalts, never de- 
grades. 

* Molly 
I don't know much, but I knowed that - I knowed that - 
(Roger enters L.U.S,Sn&£s± excited) 

Roger 
Excuse" me, Mr« Tergjle - !Joily - go down to the basement 
and stay there till I come, I've a few words, I want to 
say to Mr, Temple, 

Molly 
Why T«iat*s the matter, daddy Roger? 

Roger 
How don't talk Molly but do as I tell you. 

Molly 
But! (Hesitating) 

Roger 
(More gently) Molly, I've never told you to dO anything wrong, 
have i? 

^ MQlly 
Of course not» 

Tioger 
Well then understand, I'm not telling you to do wrong now. Go 
Molly] Go! By the way - you can lock up KO, 7 and bring me 
the key. (She looks wistfully at him and Robert and exits 
slowly L.U.E.) Some parties were looking at poor Langley»s 
rooms and I left them imlocked. (Looks steadily at Robert 
who has confronted him, speaks quietly) Mr. Teniple, I don't 
want Molly to come here anymore, I was wrong to allow, it in 
the first place. It*8 not keeping jay promise tO rry dead wife 
who loved Molly as if she washer own flesh and blood! I believe 
you to be an honorable gentleman - and as you aay have heard 
me say - once a gentleman - always a gentleman - but Mr, 
Tengjle people have started talking, 

Robert 
Talking - how - about that child and nryself? HOw dare they? 

Roger 
You heard that old blatherakite - "Dilpickie" what she said, 
that "you and she woiad bear watching" and as for as the 
"Child" business, can't you see that Molly is XBX now a wojaan? 
I remember her mother when she was very little older, Molly* s 
mother was some swell girl, I can tell you - lEr, Temple - came 
from the four hundred - gave up her rich family, the prospect 
of a fortune - and all - because she fell in love with the 
handsome baritone of our company. It was real love - that 



13-B 

match - They were hoth killed in a railroad wreck when KOlly 

was a "baby - and my wife and I took charge of the little 

one and she's "been with me ever since. I'm a no account fellow 

a "booze fighter and all the rest of it, I haven't done hy 

Molly as I should have done - but pau can take it from 

me — J/Ir. Teinple - if any harm should come to that girl„ I - I 

Robert 
(interrupting) Roger, I would as soon think of harming one 
of God's angels as to cherish a thought against her purity 
and ahappiness. 

Roger 
Oh I believe that - but you have a visitor here - regxilar 
visitor - who is not your kind of nan - In fact - he isn't 
in your class, he never was - 

Robert 
Why Dick Clinton - is my only regular visitor. 

Roger 
That's the gentleman - or rather - he isn't a gentleman - he's 
the party I have in mind„ 

Rcbert 
^/hatl Has Clinton 

Roger 
Yes - he has - he's doing things that are provoking me to 
man-slaughter - and I never killed anything but a "performance" 
in my life. 

Robert 
Impossible! 

Molly 
(Outside, screams) Let me alone! Let me alone. (Enter hurriedly 
L,U.E. Clinton appears in door-way) 

Molly 
Daddy Roger] Daddy Rogerl (Going to Roger R. ) (Shudders 
pointing to Clinton) That Manl That laanJ 

Roger 
You see - I told you the truth - Mr^ Temple - but I'll teach 
him a lesson now once and for all„ ^Advances up on CILinton) 

Robert 
No - that lesson must come from me. (Is left of door, suddenly 
seizes Clinton by L. arm throv/s him around L. down the stage, 
getting between him and Roger) Get your father away - Molly 
while I talk to this person-- 

Clinton 
''Person"? Oh I say - Bob. 

Robert 
(Sharply) Shut upi I'll tc^lk to you later. (To Molly) Go 
MollyJ 

Molly 
Come, Daddy! Cornel 

Roger 
(As Molly clinging to him. draws him up to L.U.E, ) I'll get a 
monkey i/srench and I'll wait for you below, you damned pupl 
(Exit with Molly L.U»E.) 

Robert 
(Turns to Clinton) ("Who has seated himself on sofa) So you 
take advantage of my hospitality to do a thief's work - eh? 

Clinton 
(Rising) See here, Temple, I'm not going to put up with that, 
line of talk. 

Robert 
(Pushes him back on cOuch) Sit down - you'll put up with every- 
thing I choose to say to you. By God, I've a mind to break 
you in t\\ro - you infernal libertine - only men don't kill such 
things as you - althos it's dangerous to spare a snake because 



14-B 

it looks small. ^Pause) V^ellj you can speak nowj go on ■- 
speak - daigon you - what excuse, v.iiat plea can you make for 
behaving like a cad. 

Clinton 
I'm not accustomed to make pleas for my actions - although 
I could plead Molly as my best excuse j any^vay - since v:hen 
have you "become such a moiik - that you should frovm on me - 
for seeking nry amusenexits \7here I may - Molly is misplaced 
here, she;s no fool - and ijhen a girl meets a chap half v;ay 

Robert 
Stop - don't you dare profane her innocence or breathe 
another word against her purity. The fear in your heart 
makes you take refiige in a feeble taunt directed tovra.rds the 
natural follies of OTir sex. I neither approve no blame a 
yoxmg man's lawless loves, v/e may pardon error v;here v/arm 
passion blinds conscience and tempts all the senses ^ but that 
is n<^t your crime! You - cool - cold and v/ary - not loving 
only desiring - not seeking a heart to beat echo to yours, 
but only seeking new prey to first seize - and then throw 
away - you v^ith all the science of the 3pan of the v/orld - 
weave deceit upon deceit to trap a child in her ignorance - 
and you use the home of your ffiend for yoiir detestable 
schemes - Richard Clinton, you are a traitor 5 you are a 
thief, you are a liar^ (Pause) IJow get out of my studio - and 
keep avmy fr(5m this building - for if ever I find you v^ithin 
it's walla again - I'll 

Morgan 
(Outside) I tell you - Reginald - keep away and don't mQddl.e 
in this affair - (Enter L.U.E. coming down C.) 

Regy 
(Enters afterhim) I beg of you - read this wireless message 
before yoti proceed further- (Holding up telegram) (Roger 
and Molly entering L.U.E.) 

Morgan 
{■Raving him off) I will not - 

Regy 
I tell you - it's from her. 

Morgan 
(To Robert) You can easily guess - my presence here. 

Robert 
No - but I regard it as an txnwarrantable intrusion. 

Morgan 
I came after my •'■'dife, I want the truth from you, if she's 
not here, you know ker whereabouts „ You shall tell me where 
I can find her, you shall tell me, I say « er - 

Regy 

Eather, I tell you, Mrs. Morgan is at sea, (Reads this message) 

Morgan 
I don't believe it. You are in the scheme^'vou help inxi your 
father's dishonor - away from mej I disown you, (Breaks away 
fr (5m Regy, goes R.) (To Robert) You pauper painter^ you shall 
a«swer my question, or I'll shoot you like a dog, ^ Draws 
pistol) (Points it at Robert who is L. ) 

Molly 
(Behind him R. suddenly puts key to Morgan's ear) Drop that 
pistol. Drop it.' I say - or I'll kill you, (Morgan drops 
gun, which Roger picks up) 

Roger 
Why " Molly - What are you doing? 

Molly 
Daddy - here's that door key - you sent me after. (Holding it 
up) 



C U R T A I U 



2nd picture Molly has Robert by both hands, a little L, of C„ 
Roger is dtm L. looking at "Monkey wrench" 'revolTsr - and 
key. Clinton in door L.U.E. about to go^ Regy is shovj-ing old 
Morgan R, the wireless message. 



C U R T A I IT 



1-B ACL- ii-u. , "' 

Scene:- The Basementc The Janitor's quarters of De Co.Terly> 



Hj 11^ 



3 

8, -^ « 



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A very plain apartscsnt. 

1, Door in flat L« of Co - 

2, Door in R» "boxing. 

3, l^Tarrow windows sxipposed to open into area~way<, 

4^. A fire-place fir© tffili©i.ted and santaX piece R« of C. 

5. Acupboard along side of saaaeo 

6. A sewing macliine and cliair "between windows on L. 

7. A ta"ble cOYered with red cloth down R. of C, 



Pictixres cut from papers and magazines on walls „ Scene 
looks ra^theoOMure , ajid -while'-Tieat sjv^ows- -signs of poverty 4 



2'-B 

Act 3rd. 



At rise:-Molly is discovered with dishes, she is hetting 
dishes on table - she carries them fro^i cupboard at hack. 
Roger enters slowly from door upper L. reaches into his pocket 
as if in search of something - shakes his head) 

Roger 
Molly - I*ve lost my pipe. 

Molly 
It's on the mantel j Daddy. 

Roger 
Mantel. (Pre-occupied) How in the thunder did it get there? 

Molly 
I pit it there - I found it under the couch whereyou put it 
"before taking your nap. Gay Laddy - I wish we had - say do 
you know what I wish we had? 

Roger 
(Going to nantel gets pipe - fills it with cheap tobacco from 
the Janitors favorite brand) M'o - I suppose , a million 
dollars . 

Molly 
Oh pshaw] No, what would we do with a million dollars? 

Roger 
I know /hat I'd do, I'd buy some better tobacco than this 
chopped hay. 

Molly 

I wish we had a white table cloth? Just for this once 

seeing as how this is the last time that Mr, Robert's going 
to take tea with us - for some time. 

Roger 
TITell, the napkins are white, and that will help some, . 

Molly 
Yes. (Half blubbering) That - will - help -some. They — 'Till 
will emphasize the redness of the cloth. (Burts into tears) 

Roger 
"Why Molly dear, what's getting into you? You never cried 
before because of the color of our table cloth, and then tooj 
the language that you're using, "What's that word? "Emphasize" 
Say, you're certainly getting a fine education* 

Molly 
(Shakesher head dolefully) My education is finished now, I 
won't learn any more when Mr. Robert's isn't around to teach 
me - and he is going away for six months. 

Roger 
PoohJ ^/hat's six months, when you don't have to spend it in 
jail, and then he's going away to make money - and he's going 
to Southern Galifornia, that beautiful land of eternal summer. 

Molly 

The Land of golden fruit, and fragrant flowers Oh, how 

I wish we were going along with Mr. Robert. 

Roger 
California is angrea"tt place. In my Operatic days, I was 
stranded three times there. It's great if you have your 
railroad fare back, 

Molly 
You remember it well, don't you? 

Roger 
Remember it? Of course I do, I went there with Bobby Gran 
once - Andy McKay also - and - and - the last time with the 
Ljrric Opera Company - that was when you lost your father and 
mother liTolly. Their graves are at santa Barbara 

Molly 
(SadJ-y) Yes I know. (Pause) How is it Daddy Roge-r, you never 
told me - my last name? 



3-B 

Roger 
We never knew what your father's real name was Ifolly, He 
worked under a stage name in the Company *- and so many of us 
do in Uie business^ Your mother always called him "Don" and 
he called her Effie, ?Tow you'd never suspect my real name, 
Molly? It is "Adam Sowse" 

Molly 
"S«Tvse? 

Roger 
Yes "Sowse" (Spelling it) S \7 S E. The combination was too 
much for me. I liked John Barleycorn too well "Adam Sowse" 
A Damn Sowse" I had to cut out the boose or cut out the name 
so 1 cut out--- 

Molly 
Yes? 

Roger 
Then I looked around for a real swell cognomen. We introduced 
a dance in one Of the opera - A "Ro^er de C overly" they called 
it - that hit me just about right j ao Roger de Ooverly I 
became. It sounded like a gentleman, and as you've heard me 

propound on several occasions, *once a gentleman (Knock 

On door L.C.) Come in, (Clinton enters) Wel^. - by thunder, 
what in Helena Montana, brings you here? 

Clinton 
Both business and pleastire, Mr, DeCoverly, The first I will 
discuss later, the latter i will anticipate by tendering hqt 
compliftaAts and never flagging devotion to Molly - (Goes to 
Molly whB deliberately ignores him and exits door R. ) 

Roger 
"JTever flaggin" eh. Well, you can take it from me - that 
it v/ill be "always flagging" w±th her, when you come around. 

Clinton 
Oh, we'll be friends shortly^ 

Roger 
I doubt it much. Well, come down to cases, what*s your 
business here? State it, and then chase yourself. 

Clinton 
Mr, DeCoverly, you've alv/ays seemed to have a very poor 
opinion of me, 

Roger 
You're right for once anyliow - I have, 

Clinton 
Well, I've come here to-day to prove to you that you are 
wrong. I'm not half ax bad fellow, 

Roger 
Oh, have you, well, you want to get busy at once - for you 
have something of a job before you. 

Clinton 
To come to the point I love Molly. 

Roger 
Wait a minute - I feel that there js trouble coming. (Crosses 
to sideboard, gets monkey wrench, puts it on tr.ble) (Sits) How, 
go ahead, 

Clinton 
Andl want to make her my wife. 

Roger 
That's kind of you, * 

Clinton 
With your consent, of course. 

Roger 
Oh, you're getting better and better right along. 

Clinton 
Of course I recognize the fact that you brought her up - 
that you are, in a way, her legal gxiardian. 



4"B 

Roger 
That's real sweet of you. 

Clinton - - 

I*m tired of my present life- want to settle down - cosy littl 
home - dear little wife - you understand. 

Roger 
(Smokes) Hum. 

Clinton 
Molly properly dressed - educated, trained "by me, would "be 
all right. Of coiirse, after the marriage you woxild have to 

dispose of 

Roger 
Oh, would I? 

Clinton 
Uaturally, we couldn't have you aroundo But that could he 
easily arranged all O.K. I woxild "be willing, to pension you 
off, and |iou could go to some quiet place where whiskey was 
cheap and drink yourself to death as soon as you pleased. 

Roger 
Got it all framedup real pretty, haven* t you? 

Clinton 
Yes - I thought it would he ahout the sort of arrangement that 
would appeal to you, 

Roger 
Oh, it does - it does» 

Clinton 
And then you have a duty towards Molly - you wouldn't want to 
stand in the way of heradvancement, 

Roger 
ITo, God "bless her. 

Clinton 
I thought not - with all your faults^ you have a good heart, 

Roger 
My hearts all rfeght - but I have sctrrhosis of the liver. 

Clinton 
DonH talk nonsense, ¥ellj what do you say to my proposition? 
T ^ T Rcger 

(Rises) ("SlTith mock dignity) I receive it, sir^ as one does a 
toast to the departed - standingj and in silence. (Clinton 
irakes impatient gesture) But it>s for Molly to decide^ i think 
I know what her decision will he, hut--- (Calls) Mollyf Molly! 
(Enter Molly R. ) Molly^ tliis — person has a proposition to 
make to you, 

Molly 
I have overheard everything Daddy, 

Roger 
You listened Molly? 

Molly 
Yes - my memory Of his behavior the last time he was in the 
building, made me fear that you might forget yourself and 
kick him into the street, and I wanted to stop you doing 
anything that would make 'anyone think you were not always 
a gentlemaiu 

Roger 
Did you hear that? (Admiringly) Did you notice that speech. 

Education indeed? "Why she is getting to talk as well as I do 

Clinton 
Then Molly - you heard my proposal regards yourself, 

Molly 
Yes - I heard the insult. 

Clinton 
Iftsult. A proposal of marriage, an insult. 



5-B 

Molly 
Yes, when it comes from a rjan like you, What right have yau .to 
think that yt>u can put a price on me. and "buy me. And how 
dare you judge that there is money enough in this world to 
make me part v,?ith Daddy Roger here - who is the only parent 
I have ever knovrn - who has "been father - mother and all to me. 

Roger 
(Takes her in his arms he is overcome) Bless you little 

girl -Bless you - hut you must think of yourself - the golden 

future - dear. Don't mind me, he wise, he wise. 

Molly 
Daddy. All the gold in the world can't huy back your self- 
resepct once you've thrown it away - and the wealth of this 
cOxintry \T0uldn't help me to sleep easy if I ever thought - 
I had been ungrateful to you. 

Roger 
Now don't "vorry about me-- 

Molly 
But I do - Daddy. Tell t^xis horrible person to ge away. 

Soger 
Horrible person. Go away. (Waving his hand at Clinton) 

Clinton 
I'll leave you for a little while to talk over natters hetween 
yourselves - and DeCoverly if you don't show Molly - the 
advantage to both of you in my proposition " you are even 
more of a bonehead than I have always judged you 

Roger 
Don't argue the matter, but keep on moving please. 

Clinton 
Good-day. 

Roger 
(Very loudly) Go«d-night. (As Clinton exits L.U.E. Roger turns 
to Molly) There Molly, he's gone, now smile a little won't you? 
You know we've got to look jolly and happy a^ this is Mr. 
Robert's last evening with ub. (Molly looks at him in surprise) 

Molly 
How can we be jolly when he's going away — - 

Roger 
Well, under the circumstances, the best vvay to be jolly is 
to jolly yourself into ths belief that you're jolly, (Thought- 
fully) But there's a good deal of truth in what that fellow 
said just now 

Molly 
What Daddy Roger? About you're being a bone-head? 

Roger 
Certainly not--If there is a future for you - you oiight to 
get it - and not let an old fossil like myself stand in the way, 

Molly 
Stop that Daddy. 

Roger 
Oh I mean it. I*ve always been one r»f tliose "JIo account 
fellows" as long as l can remember. When I was a boy they 
\70TJLLdn't let me go into the pasture-^ith the sheep, for fear 
some of them wouldbite me^ I could never rise above the chorus 
when I was in the Opera companies had chance after chance - it 
was no gd - and to think that for such an old "Never Was" jiOu-- 

Molly 
Can you imagine me - narrying one man and caring for another, 

Roger 
Molly - I canH imagine you - marrying anybody just yet for a 
while. Time enough - wait a few years ^ Still - Hum, I think 
I'll consult Mr. Robert about it and hear what he has to say. 

Molly 
(Alarmed) Oh you mustn't daddjj you mustn't you mustn'tX- 



6-B 

Roger 
Why not - ain^t he the "best friend we've got« Hasn't he your 
interests in view as much as I have. 

Molly 
OonH you see - you would degrade me in his eyes^ if he 
supposed for an instand I would ever dream Of such a bargain* 
I - I forhid you to say a v;ord to him. If you dO it, laddy, 
I'll never forgive you - never. 

Roger 
(Hiirt) Why Molly, you never talked to Daddy Roger that way^ — 
what's come overyou. 

Molly 
(Tearfully) Forgive me Daddy - but — 

Roger 
But what - dear? 

Molly 
I'll tell you some day - not now - but promise me - you won't 
telZ Robert of that wretch's insult. It's bitter enough - 
him - him - going away, but he mustn't leaveus with - with 

any any contempt in his heart. Promise me Daddy, Promise 

me, (Crying on his breast) 

Roger 
Why Of course - dear. Have it your way. Have it yourway, I'm 
beginiaing to be jealous of Mr, Robert, by "Jimmin;/- Crips" if 
I ain't. (Knock on door L,U.E. ) Come in? (Robert enters L.U.E) 

Rob ert 
How is everybody? How arc you feeling, Roger? 

Roger 
Oh - I'm feeling simply mavelous, 

Robert 
And you Molly, 

Moily 
Oh fine. 

Robert 
Well, I've got all my belongings packed up, Roger. (Looks at 
flower) Except my little flotver, (Extends it to Molly) Molly, 
I v/ant you to take care of this for me, will you? 

Molly 
(Takes flower) Why cJf course, I will, Mr. Robert. 

Robert 
I hate to part with it, even for this little while. I v/ouldnt 
trust it to anyone but you, Molly„ 

Molly 
(Affected - but speaks cheerfxilly) Why, Mr, Robert, it!s only 
a comanon little geranium - you can get lots of them. 

Robert 
But they wouldn' t be that one. That common little flower, 
Molly, is one of my most cherished possessions. Even you, 
who gave it, cannot \mderstand what it seans to me - what 
it and you saved me from that ¥ew Years eve (Slight pause, 
then cheerfxaiy) So guard it well, Molly, for I shall come 
back to claim it ggain. 

Molly 
(Crosses L. with flower, affected) I will, Mr. Robert. (Presses 
lips to flower, puts it on bench L.) I will watch it day and 
night. (Half sobs) It will be- 

Robert 
(Turns in surprise) Why, Molly, you are crying. 

MOlly 
No sir--that is, yes, sir - I didn't mean to sir, but if you'll 
excuse me I'll go wash the tea - and make rry face - I mean make 
the tea - and wash ngr face - and will have supper--and - and 
(Exits half hysterical R. door closing it) 



7-B 

Robert 
(Ttirns to Roger) What does this mean? What has happened? 
Wliat have you done to her to nake her cry? (Looks at hin 
suspiciouily) You haven't heen drinking again? 

Roger 
Well, I like that. I'll have you understand that I am only 
a periodical drunkard, I aim sober at times. 

Robert 
(After slight pause, seriously) Roger, I have a favor to ask 
Of you- 

Roger 
(Earnestly) Well, Kr, Robsrtj you know - if I can grant it- — 

Robert 
Watch o^er Molly, while I'm gone, (Roger starts) Shets a 
woman nowj and needs your extra care and protection. (Slight 
pause) Roger, protect her for my sake. 

Roger 
(Surprised) For your sake — ? 

Robert 
Yes - for my sake. (Slowly) Do you know why that flower is sO 
precious to me? Because she gave it to me„ (Slight pause) 
She was a child then - an innocent, tender hearted child - yet 
she saTed me from a crime - a crime against myself* (Slowly) 
It was new Year's eve, Roger, and 1 was up stairs^, waiting 
fOr the first stroke of the midnight bells to put a biAllet in 
my heart. 

Roger 
(Startled)Good God, Mr. Robert - lEO 

Robert 
(Unheeding interruption) She crept back into the room, to give 
me that flower, her greatest possession-, and to be the first to 
wish me happiness with the coming year tPause) Since then, she 
has become part of my life - I haven' t a thought in which she 
does not hold sJiare in it - I have no hope of happiness in 
which she is notpresent. 

Roger 
(Surprised) Well, j'll be - excuse me, and what does Kolly say 
to all this? 

She doesn't know. 

Eh? 



Robert 
Roger 



Robert 
I have never spoken to her. You are her guardian, Roger, it 
was rxy duty to speak to youfirst. 

Roger 
(Thoughtfully) Tjum. Yes, I see 

Robert 
I am not in a position to marry yet, and I v;^ould not bind an 
inexperienced girl to an engagement she might regret, 

Roger 
(Drily) Hum - I don't know about Kolly regretting, j'm afraid k 
she likes you too durn well. You saw those tears j didnH you? 
Hum, I calculate that's cauae Arou're going away, 

Robert 
(Eagerly) You think so. . ' 

Roger 
Thatlswhat. 

Robert 
If this California trip comes up to my expectations, I shall 
be able to tell herj I have your permission, Roger? 

Roger 
(Decidedly) You bet you - you have, Mr. Robert, if I couldsee 
Molly your wife, and know she was happy, I'd almost be willing 



8-B 

to gO somewhere ^Thiskey w:is cheap and drink 

Rohert 
(Surprised) Eh? 

Roger 
(Checks hiiaself) HiJa:. I ^as thinking of a little advice that 
was given fie a while ago, what I intended to say was, wouldn't 
it he just as well to speak -to Molly "before you go? There 

xoay he reascrns (Checks himself) Hun, I forgot 1 promised 

I wouldn't say anything. 

Rohert 
Ah Out what? 

Roger 
Especially to you. 

Rohert 
(Surprised) Ahoftt wdiat? 

Roger 
(Mysteriously) Hum, You're not the only one who wants to narry 
Molly - (Rohert starts) But, I promisedto keep it a secret. 

Rohert 
(Puzzled) I don't understand. (Knock on door L.C.) 

Roger 
(Calls) Come inl (Enter Regy and Morgan L,U.E. ) 

Regy 
Mr. De Coverly - may we ix5)ose upon your hospitality for a 
montent while my father - (Seeing Rohert) "Why Temple ~ are 
you here. We were up to your studio just nov/ hut foundit 
dismanteled, and were told you were leaving to-vn, 

Rohert 
I am going West to-night on the Overland Limited., 

Regy 
Glad we found you hefore you left Governor, you can say what 
you have to say to Mr, Temple here. 

Eoger 
One moment - let me say something to the old gentleman first. 
I am disinclined to have any rough-house here in nry domicile— 

so hefore anything is said on either side I must ask you 

sir to allow me to "frisk" you for your artillery. 

Morgan 
(indignant) Stuff and ITonsense o 

Roger 
MOlly isn't here v/ith herdoor key this time- and 1 don't want 
tvi take any chances. 

Regy 
The Goipemor isn't armed DeCoverly you have my word for it^ 

Roger 
I have alwajrs found you a gentleman - and ahem *- you have 
always found me - a - 

Regy 
Another - and once a gentleman - always a gentleman 

Roger 
Pardon that is my line. 

Regy 
Have a cigar. (Roger takes it puts it into pocket) 

Morgan 

Mr, Tenple (To Rohert) i have just returned from Eur-ope 

and I feel it my first duty to seek you out - and ask yOur 
pard<3n for my unwarranted suspicions - and my violence on the 
Occasion of our last meeting 

Rohert 
Say no more ahout it - to, Morgan^ The incident was trivial — 
I have ceased to think of it. (Bell sounds) 

Roger 
(Moves curtains looks 6ut \7indow L, ) That's the Express man 
for yourtrunks Mr. Roberts - I'll go and attend to them. 



9-B 

RolDert 
Ho - Roger - stay here with your guests » I will attend to 
them myself . (Exits L.U.E.) 

Morgan 
(Sharply) Reginaldl I am very sorry novr^ I took your adrlce, 

Regy 
Why Governor? 

Morgaa 
Didn't you notice the indifference, the Cavalier way, in which 
that artist fellowreceired my words of regret? 

Regy 
Well Governor, if you remeniber you accused him of all sorts Of 
things, even threatened his life. 

Roger 
Yes^ andyou can't rap a man on the "noodle", tell him you're 
sorry forit, and borrow money from him all at once. At least 
I never could. By Jimney Crips "but youdid l«ok9 flahergasted 
when Molly put that door key to your ear- — Ha.' HaJ Ha* 
(T.au^s) I'll never get over it. It's lucky for you she butted 
in when she did- I was going to knock out your brains with 
this. (Lifts monkey wrench from table) 

Morgan 
Molly - the young girl - is your dau^ter Mr - Mr — 

Roger 
OeCoverly, hqt adopted daughter, 

Morgan 
I ought to feel grateful to her - and l do, raay I see her? 
I shotild like to thank her personally — 

Roger 
(With dignity) I will findout if she ',vlll receive you — Molly! 
(Go«» to kitchen door) Molly, the old gent who had a brain storm 

whicJl you cxired with a door key is here and begs an interview 

don't be afraid heis nonnal rq-ct (Morgan shows signs of indigna 

tion Regy calxas him) (Molly re-enters stands R, ) 

Morgan 
(Goes to her) liUss Molly - I came to offer my sincere apologies 
to Mr. TeB5)4.e for Ti^at occured threemonths ago - in his studio. 
I can't leave without expressing my gratitude to you for 
saving me from my act trf aadness. I want to also compliment 
you on the readiness of resource you. displayed, and what will 

be probably more appreatciated — er something substahtial in 

memory of the occasion, (Producing cheque book) 

Molly 
(Drawing back) i'drather you wouldn*t sir? 

Morgan 
What - you refitse money? 

Molly 
Yes sir - Money cheapens you so awfully sir. When you accept 
it, for doing vftiat your hearts tells you is right. 

Regy 
Take care Molly - getting money has been my father's vocation 
all his life. (Crosses up to fire-place) 

Morgan 
Yes - and spending it - has been yours, yovtng man. (Thought- 
fully) My vocation - yes it has been nry religion 

Molly 
Religion? Why sir, have you forgotten you have a sOul, 
"YOu cannot serve God and Mammon"-- 

Morgaa 

HelloJ Hello! The scriptures eh? Why (Turns to Rogers) 

Didn't you tell me you had been in the »'Show buKiness". 

Roger 
"SO sir - i was in the Operatic line 






' "-TTf 



lO-B 

Morgan 

Oh it»s all the saiae thing - I am surprised at Kolly that ■- 

is all. I have always thought that stage people were wholly- 
destitute of religion 

Roger 
Molly and I will pardon your ignorance, since you tout voice 
the opinion of the thoughtless /orld. But let me tell you, 
sir, that in no other profession or vjalk in life will you find 
the charity, the thoughtfulness for others, the hujaanity that 
is the religion of the 'show business" as you call it* 

MorgaiS 
Don't attentpt to defend the stage to me, it robloed me Of 
what was most dear in life - and all it»s memories are hateful, 

Molly 
^Gently) And to me, it»s memories are blessed. The stage 
provided employment for n^y father and mother, and when they 
were taken from me, it gave me Daddy Roger and his wife. 
(Extends hand to Roger, who takes and pressesit) Who took 
the helpless opphan as a sacred charge and gave the best of 
their life to hex guidiance and protection, 

Morgan 
{After slight pause) Again, I beg your pardon, in my bitterness, 
perhaps I spoke thoughtlessly, (Slight pause) But the stage 
did me an inreparable injury. (Regy who has been standing 
up by loantel, looking at various articles, there, sees photo- 
graph, starts, picks it up, gasps, turns photo over, looks at 
back) 

Regy 
(Excites) Good God. (All look at him in surprise) (Ee extends 
photo towards Roger) (Hoarsely) Where did you get this? 

Roger 
(SuFprised) Why, that is— 

Regy 
pSxcited) Look, Governor, (Crosses down to Morgan R.C.) It 
is Effie's picture^ (Puts Photo in front of Morgan's face) 

Morgan 
((jasps) Effie? 

Regy 

(Excited) Yes, yes, and Kee (Shows back of photo) Look at 

the superscription on the back, "Effie to Don, June, 1894. 
(Morgan starts, grabs photo, looks at it eagerly, then extends 
it towards RogerT 

Morgan 
(Hoarsely) Where did you get this? (Slight pause) Quick, man, 
speak, how came this in your possession? 

Roger 
Don't get so excited, old man. We didn't steal it, we 

Morgan 
(Excited) Dam it, man, don't torture me. Speak, Did you knOw 
this w«nan? 

Roger 
Well, I should say i did. Tliat was Molly's mother. 

Regy 

(Sasps) Molly's mother? (Morgan sinks int<5 chair R.C, affected) 

Roger 
(Surprised) Why, what the (Regy checks him) 

Regy 
(indicates Morgan) Hush. (All watch Morgan in silence. Morgau 
locks at phdto affected) 

Morgan 
(Softly) My little Effie- my little foolish, headstrong girl^ 
(Presses phet6 to lips, Roger and Molly lOok at him in surprise 
Regy cresses t6 Morgan, puts hand tenderly on shoulder) 

Regy 
(Softly) Dear oldGovernor. 



11-B 

Morgan 
(After slight pause) They told me all had perished in tlie wreck- 

Tsy Effie, her husband and the child. And all this time 

(Rises, looks pathetically at Molly, then slowly extends hands 
t/> her) Molly, my child come to me. (Slight pause, Molly 
surprised, hesitates) Come, my child, I am your grandfather. 
(Roger starts, Molly siirprised, crosses slQwly to Morgan, who 
takes her face "between his hands, looks at her earnestly, 
sli^t pause) Yes, yes, it is true. lEy Effie^s slul looks at 
me from your eyes. (Kisses her hair) Oh, God, let me atone 
for my cruelty to my lost darling by winning the lo-ve and 
confideliee of her child. 

Roger 
(nervously - yet defiantly) (Interposing) You come at a late 
day Mr. Morgan to separate that girl And me - I doubt even 
that the law would give her up tc you 

Morgan 
(Cheerfully) Who speaks of separation - not I? 

Roger 
(Eagerly) May I see her ;7hen I like? (Regy crosses to Molly, 
shakes hands delighted, talks, pantomines) 

Morgan 
(Cheerfully) Whenever you like - the future of both Of you shall 
be my care - come and live with vs. 

Roger 
(Doubtfully) Humph - I^m afraid i*d be out of place ^ You see- 
I drink - sometiioes. 

Morgan 
(Cheerfully) SO do I - we'll drink together. 

Roger 
(Delighted) Ehl Say you're not such a bad Old sport after all, 
(Shaking hands) Say there Is a box of old letters and a locket 
her mother wore in a box in Molly's room, I kept it for just 
such a day as this - and, say, there ?s a picture of a man and 
wOman in it, maybe it?s yours and your misses phizes when you 
were young. 

Morgan 
Yes, yes, yOu are right. (Eagerly) Let me see it. Come MOlly, 
Come Reginald. (Puts arm abOut Mclly, looks at her proudly) 

My Effie's littlegirl, (Lciughs half hysterically) I 1 don't 

deserve this happiness. {They exit R, ) 

Roger 

(Reflectively) What a funny old world this is Who would 

have gues-sed this was going to come off. Well, what is to 
be will be - whether it happens or not. (Re-enters L.U.E, 
Robert, he carries traveling bag coat etc) 

Robert 
My traps have gone and the old place looked forlorn as I said 
my last goo-dbye. Don't look gloomy Roger old man, I'll 
be back in six months, say, don't you think I'd better tell 

Molly before Jnleave, How much she is to me or (Pause) 

what do you think? 

Roger 
I am ijacapable of thinking. 

Robert 
Eh? 

Roger 
Ify head feels like a cheese sandwich. 

Robert 
What's the natter now? 

Roger 
Molly and I have just joined the four hundred. 

Robert 
What- — 



12-B 

. Roger 
Molly has foundher peyle - her Mother's rich relatives - or 
they'v e found her - her grandfather and I are great friende 
already. "We've got a date to get loaded together.. 

.Roh-rt 
What insanity is this? 

Roger 
Hush. (Pointing R, ) They are in there. Her grandfather Old 
Morgan, and her Uncle Reginald - they're looking at her 
Mother's picture, Molly is going to be a rich - rich woman 
she?s coming into her own at last. (Pause) 

Robert 
(startled, slight pause) I see - I canaot speak to her now - 
I would be looked iipon as a fortune hunter - who - (Suddenly) 
Oh no, no - I'll go at once Roger, 

Roger 
"What, without seeing her - without saying a \70rd of congratula- 
tion. 

Robert 
I can't trust myself. How can I rejoice over an event which 
raises that insurmountable barrier - the barrier of wealth 
between me and my fondest hope, No - Roger say from me - that 
Dry prayer is always, that God shall bless her - and eternal 
happiness be always hers. Good-bye^ Roger, good-bye. (Exits 
L.U.E.) 

Roger 
(Reflectively picks up Jiipe about to laechanically fill it from 
package of "Jani torts delight" remeiitoers Regy's gift to cigar 
pulls it out, smells it then thrcws package of tobacco away 
intJ grate - breaks up cigar fills his pipe and lights it) 

Morgan 
(Delighted) (Outside) ]To - I Insist yOu and Mr. De Coverly must 
come home at once. (Entering Rehy and Molly follows) How Re- 
ginald attend to everything as I tell you - Send Hilda over here 
to assist Molly, Hilda is a discreet Swede girl a Pallas 
University graduate - she shall be your maid, Molly for the 
present. (Reginald to exit) And Reginald don't forget aboxit 
Shubert in reference to ]&, De COTerly) 

Roger 

I could never do anything with Shubert K and E were more 

inmy line. 

Regy 
"Shubert" he speaks of is a tailor, (Exits L.U.E.) 

Morgan 

And Reginald - there is another matter, don't forget too 

(Exits L.U.E, talking) . 

Roger 
Molly, it seems like a drsam doesn't it, just like the fairy 
tale where the beggar princess cam^e into her inheritance and 
lived happily ever after 

Molly 
The fairy tales always say "they" lived happily ever afterwards 

Roger 
They, Oh yes, they well we will be very happy. No more 
stilting - no more discomfort to you. Everything that money 
can buy — and i will be happy because I knajrwyGu are.r 

Molly 
How surprised Robert ■will be. He went to look after his 
trunks didn't he? 

Roger 
(Hesitating) Y — Y — ves he went to looks after his trxmks. 

" Molly 
I wish he would hurry back. Go after and hurry him, Daddy 
Rogers? 



13-B 

Roger 
(Pause) The fact is - Molly - he - he - has been "back - and - 

Molly 
Yes- — 

Eoger 
And- -and he's gone to the train, 

iJlOlly 
(Startled - hurt) Gone to the train -without - without - seeing 
me - without saying goo-d'bye? 

Roger 
(With effort) He said - he - he couldn't. You see Molly - I 
told him about the change in your iBortimes - and - of course 
he v/as glad of it - but - say if you remeiitoer - he and Mr, 
Morgan are not on very good terins , buxt probably he'll write 
me J and if he does, I'll let you know. He's proud, you under- 
stand, and after all he's only a poor artist - and you are 
a rich woman now 

Molly 
Rich? Daddy, Rich? With l.Ir, Robert out of my life. I never 
felt as poor as I do now. 

Roger 
(After slight pause) (Solemnly) Oh, leaving he prayed to God 
to bless you - and that Eternal happiness might alv,rays be 
yOurs . 

Molly 
And i pray that God will bless Mr, Roberts, but my happiness--- 
Oh Daddyl Daddyi There can be no happiness unlessthe one I 
love - shares it v/ith me. (Molly turns aside affected L. 
sees flower, picks it up, crosses slowly to table C. presses 
face to flower, sinks in chair) 

Molly 
(Softly) Oh. Robert, Robert. (Buries face in hands on table, 
sobs softly) (Roger looks at hernervously, starts to gO jro her, 
stops, hesitates a moment, then crosses softly up L.C, enter 
Morgan L.C. starts to speak, Roger puts finger on lips, 
indicates MollY) 

Roger 
(softly) Hush, her first great grief. Only God can comfort her 
now* 



C U R T AI 21 



l-B 



Act 4th. 



Fair view. The country home of the Morgans 




1. Perspective River drop for "backing. 

2. Hedge row with opening R« of C. 

3. Handsome house with veranda and steps leading down^ 

4. rarge tree with seat surrounding it* 

¥&od wings, garden set pieces to dress scenes statues, runs, 
flower heds, etc. Coil of rope, hag of golf sticks up R, Toy 
house . 



2-B 

Act 4tli, 

At rise: Reggy is discovered on seat by tree L.C. reading 
newspaper and smoking - Enter Morgan L.U.Eo in golfing costttme 
with driver over his shoulder, he goes tov/ards the house R, 

Regy 
^Looking up from newspaper) HelloJ Waat have you started in 
On the links so early - Governor? 

Morgan 
Eh? (Turning) Oh, it's you, is it? You've got here at last. 

Regy 
At last? "Why I told you - I v/as going to take the "ten" train, 

Morgan 
T7ell - now that you are here, I have a bone to pick with you - 
young maul "Why the devil, did you induce me ^o give the care 
of this house to Clinton? 

Regy 
You had to give it's care to some one and "Poor Clinton" was 
down and out, you have become a philanthropist of late^ I 
thought, I'd find you a worthy object on which to exercise 
your hobby. 

Morgan 
"Poor" Clinton^ If i had him here this minute, (Flourishing 
driver) I would commit man-slaughter. 

Regy 
Why what hashe done? 

Morgan 
He has done the things he ought not to have done, and left 
undone the things he should hav^ done« A pretty stale of 
affairs when a man has to burglarize his own house to get 
into it, and at mid-night too^ 

Regy 
Ah Clinton, wasn't here then? 

Morgan 
No - he wasn' t« 

Regy 
But there were two servants left here, when we went away. 

Morgan 
They were not at home either. They tried to get in at day- 
light this morning. 

Regy 
Ah, and you - 

Morgan 
I paid them off, and told them to go to the devil, 

Regy 
And Clinton - 

Morgan 
He tried to get in about two A,M, I told him I'd murder him 
and he xvent away, 

Regy 
Well, you see - all this happens because of you returning a 
month before you were expected - nowif Clinton and the help 
had been notified you were coming - they would have been here 
to give~you the glad hand. 

Morgan 
Molly got breakfast for the two of us? 

Regy 
Yes , she told me » 

Morgan 
Then you knew all about every-thing and let me tell it all over 
again. 



3-B 

Regy 
No - Molly never mentioned a thing - except she cooked your 
breaJcfast and wanted to cook mine, but I wouldn't let her, 

Morgan 
Dear Tifolly! She»s an angel. I*d like to see anybody say she 
isn't. How I have got along without herall these years - 
(Abruptly) Did she tell you about the bungalorw? 

Regy 
What bungalt>w? 

Morgan 
The bungalow by the lake - stupid! There isn't but one bunga- 
low, is there? He's let it 

Regy 
\7ho lias let it? 

Morgan 
Clinton - of course, and Lord knows to what sort of cattle. 
There v/as an orgie in progress as we passedlast night - I 
heard several feminine voices. 

Regy 
Ah - This grows interesting. Did you get a "slant" at them? 
The - the ladies? 

Morgan 
Did I get a what at them? 

Regy - - - 

A rublber, a view of them? 

Morgan 
JTo sir, I did not. The infernal riot they were kicking up, 
was enough for me. 

Regy 

They are probably some of the society leaders of Clinton's 
set. I will have to look them up, 

Morgaa 
And you especially recommend such a man to me. 

Regy 
Well - he's an oldfriend of mine - and a friend of Molly's - 
He knew Molly before I did. 

Morgan 
Hum, a friend of Molly's, eh? If I thought Molly liked him, I - 
I'd forgive him everything. Has she ever said anything about 
him to you? 

Regy 
Never a word. Except to express sympathy when she heard of 
his forlorn condition. 

Morgan 
Forlorn blazes, why don't he get up and do something ft)r him- 
self J Any man who is any good will. Look at Rogerl See what 
he is doing, do you know he's returned the money - I advanced 
to him? 

Regy 
I saw him last night as I stopped over in the city, he'll be 
up to-day, 

Morgan 
Did you tell Molly? 

Regy 
No - not yet, 

Morgan 
Why didn't you? I'll tell her, (Exit grumbling R, into house) 
(Clinton enters cautiously watches Morgan off comes down to 
Refey) 

Clinton 
Hello! ReggyJ I saw you talking to the old man. I supp3;se 
he's got it in for me, Wliat am I to do? 



4-B 

Regy 
Really old chap, I don't know. 

Clinton 
I've cooked up several stories, "but they don't seem to "gee" 
(Dismally!! Regy - it's an awfiil thing when a nan discovers 
that his powers to tell a plausible lie - hare deserted him. 

Regy 
COrily) It is sadi Clinton have you ever tried telling the 
truth? 

Clinton 
STot to anyone - I had any respect for (Pause) I've always told 
it to you. 

Regy 
Thanks - old chap J Whatts this bungalow "business, the governor 
speaks of? 

Clinton 
Oh I let it to seme parties who are in - in the "showS 
"business - that's where I was this morning when your old man 
returned so unexpectedly - you see I had the ladies up here 
in the early part of the evening - and I had told the servants 
to take a day off-. and there you are. What the devil ever 
possessed you people to cut short your trip the -Tay - you 
did? If you had stayed the full time, this never would have 
happened. ITow whatis to be done? Do you think you can 
sqiiare it? 

Regy 
No - I don't think I can - Molly might - 

. Clinton 
Molly! 

Regy 
Yes, she's the whole power with the governor now. I don't 
know about the Bungalow business though - who are these - 
(Cottghs) Ahem! j.^dies? 

Clinton 
Tamale Nan of the Vandervilles - and her aunt - 

Regy 
"Tamale" soxmds pretty warm - better get rid of them. 

Clinton 
I can't they've paid in advance for a month - and - and - 

Regy 
Yes *- (Encouragingly) 

Clinton 
I've spent the money - 

Regy 
But she won't - I might manage her all right, but her aunt - 
By jovel That reminds me - you know them? 

Regy 
I haven't the honor - don't try to ring in any "Tamale Nans" 
on me, 

Clinton 
She was that cad Teirple's model *» 

Regy 
(Quickly - sharply) Hold on! Clinton - don't speak of Temple 
as a "cad" I won't have it - Temple is a man - every inch of 
him - who would scorn even - a dishonorable thought, 

Clinton 
Your father don't think so - or he wouldn't have gone gunning 
fOr him when he thought your yOung step-mother - 

Regy 
(Warningly) Take care I Clinton - you're treading on delicate 
ground. My father found out his mistake and made Mr. Temple 
all the atonement he could. His apology was most humble and 



5-B 

ample - In regard to the lady - my father married - she is 
ivell provided for and will continue to live abroad. I will 
take it as personal if you ever refer to the subject again - in 
which case 

Clinton 
(Defiantly) Well - v^aat then? 

Regy 
I shall do my best to get you a good touring - Clinton - and 
drop you from the list of my friends, 

Molly 
(Outside) Uncle Regyl Uncle Regy! (Enters from house) OhJ 
there you are, (Seeing him) Why didn't you tell me about Daddy 
Roger? Hov/is he - Hov/ does he look? Did he ask about me? 
When is he coming up here? TJ'/here did you see him - Uncle Regy 
had he been - was he - (Pauses, seeing Clintonj whispers in 
Regy's ear) 

Regy 
Eh? (Listening) ITo - not a S5KJ5i..-drop. 

Molly 
^Whispers again) 

Regy 
(Listen) No ~ As sober as a judged 

Molly 
Isn't that glorious! You're the dearest kindest - best "Uncle" 
in the world. (Kisseshim On cheek) 

Clinton 
HOv/delightful it must be to bring "good news" to you, Miss 
Molly, if you rev/ard all messengers asyou do Reggy - 

Regy 
But she don't - Uncles are specially privilkedged. 

Clinton 
I suppose - Miss Molly, i may bid you "welcome home". 

Mclly 
(Carelessly) Thank you - Mr. Clinton-- 

Regy 
Mr. Clinton is in trouble - liLOlly - and I tjhink you are the 
only one who can squarehim with the governor - I'll leave you 
to tell your own tale of v/oe - Clinton - you can do it about 
as w611 as ^canyone I know, (Exit into house) 

Clinton 
(Bitterly) That's the way - v/hen a man's down - some people ne^a* 
miss an opportunity to humiliate him, 

Molly 
What is it you v/anted to ask me, Mr» Clinton - 

Clinton 
Ah Molly J The possession of money will never make you a snob - 
will it? Your association with these people can never spoil 
you. 

Molly 
These people I Whom do you mean? 

Clinton 
Your grandfather of course - and that sap-head, youruncle - 
you must read them for what they are. You can't forget the 
way - they treated your mother, nor their neglect of yOu in 
your childhood. 

Molly 
Mr. Clinton! Uncle Regy nuggestedthat you were in trouble ajjul 
that I might serve you. Don't you think you had better come 
to the point, instead of abusing those th^o have been your 
benefactors - and attempting to discuss with me a personal 
nattei — which concern me alone. 



6-B 

Clinton 
(Hypocritically) There no'v? - Molly? I've drawn your anger 
upon me again *- and I vrould rather die than deserve a reproach, 
from yOu. If you knew how I have prayed that you would blot 
Gut the memory of the past - and ascrihe my sins towards you 
to an intensity of passion which - 

Molly . 
Come to the point - Mr, Clinton - please - you are exhausting 
my time and patience, 

Clinton 
Well - Mr. Morgan is angry with me. I without authority leased 
the "bxmgalsw to an old friend of Robert Temple. Cratches Molly 
who starts and utters a half suppressed exclamation at the 
name) You see- he is sketching in the neighborhood now. I 
let the bungalow to these ladies to oblige himu, 

Molly 
(Faintly) Yes. 

Clinton 
Yes - there is quite an affair of the heart between him and the 
younger one. "Tamale Han" as she is known. 

Molly 
"Tanale Han" what a name-- 

Clinton 
She is known by that name on 'the Vandeville stage* You may 
reiceMber her as Georgie Cubib - his model - Ten^ple and she 
are going to be married- although her aunt is opposed to the 
match - she thinks Georgia can do so much better than to 
throw herself away on a poor artist. So Temple and she meet 
by stealth - andl have helped things along on account ofirry 
old friendship for Bob. (Pause) Now Molly - if you could re- 
commend that Tamale ITan should not be disturbed for the present 
it might get me out ff a predicament - and - 

Molly 
Tamale Nan shan't be disturbed - so you can rest easy. 

Clinton 
I know how prejudiced your grandfather is against any show 
people - as evidenced by the stern way in which he treated yOUT" 

' Molly 
(interrupting) Tamale 7Tan shan't be disturbed - my grand- • 
father gave me the bungalow - it is mine - so we will consider 
the affair as closed, l&c, Clinton. 

Clinton 
Ah - Molly - you must like me a little - or you wouldn't be 
so generous. 

Molly 
To be frank - Mr. Clinton - I never liked you so little as I 
do at this moment - and I'll wish you - good morningi (Exit 
into house R, ) 

Clinton 
Damn Janitors brat - she's asbad as the others, (Chuckles) I 
got in a slap at Teitrple'spretentions at any rate^ (Stands 
irresolutely in C, for a moment) (Ama^nda and aeorgie gorgeoTisly 
attired enter L.U.E, standing behind hedge) 

Amanda 
Ah there! Oickyi (Clinton starts) 'Who's your friend? False 
One. Come on. (Enter with Georgie they come doxvn On each side 
of him, Amanda R. Georgie L. ) Come ohj "Who is she? Don't 
try to lie out of it. We seen her, didn't we - Georgie - 

Georgie 
Bet yer life - me and you both seen her, and I think I hare 
seen her before. 

Clinton 
Oh - the - the lady is nobody of any importance - I - I have 
been - surprised as it were - by a party of visitors wholly 
unexpected - she - she - is one of them, I will escort yOu 
b-ack to the bungalow if 



7-B 

Amanda 
You don't ""bungalow" me - i-'m the wise v/oman of forty fifth 
street - when you trimmed us out of our "hard earned simoleons" 
You told us we could have the run of this place - and - i*m 
ready to run it - You can't pin me do^j^n to no shack - ain't 
Georgie and me just as good as that skirt - yOu was just a 
talkin* to - well - I guess. Take us in - and "introduce" us 
Or we'll introduce oior selves. 

Clinton 
Georgiel Can'tnyou tell Mrs. Dilpickle to behave - 

Amanda 
Yes - she can - hut Jhrtf. Dilpickle always does as she pleases - 
and that reminds me Mr, Dicky - Don't "pray soon" to call my 
neice "G&orgie" - She's only "Georgie" to me- to you andto 
the rest of the "hoohs" - she is "Tamale ?Jan" - as per "ad" in 
the "Clipper" - Tamale ITan - v/ho has "Eva Tanguay" - out 
Tanguayed, "Tamale Nan" as was never canned. 

Georgie 
Oh stop - Auntie! You make me blush sol When you blow aTsout 
me like that - I can always feel xay mortification setting in, 
(Enter Roger at back R.U.E. ) 

Amanda 
Well ain't you the greatest ever on the vodeveal cirtfeuits? 

Georgie 
Well - I'm only a timid shrinking modest little violey - but 
I sets up and takes notice - that when the song writer wants 
to have their new stuff "did" they rings up Tamale Han, Why 
Auntie and me have only just ran away from_the city to escape 
a biinch of contracts - from that new promoterof vodeveal - 

Amanda 
I knoxved it! I knowediti 

Georgie 
What is it - you knowed Aunty? 

Amanda 
Look at them people - don't you reckernize them? Honey-bunch? 
(Enter Regy and Molly from house) 

Molly 
Daddy vfOn't be long now, Uncle Regy? 

Regy 
NO, he may be here at any moment, now. 

Amanda 
The Millionaire Kid, and Molly "Studio Brat". (Morgan enters 
from house) and by the ghost of Mike Leavitt there. That 616. 
money octopus himself ♦ Who called me "A i.onster and a fat 
woman" (Sarcastically) (To Clinton) Nice friends them is of 
yOTArs, if you expect Tamale Nan and the wise woman of forty 
fifth Street to remain as tenants of the bungalow - you'll "can" 
this bunch at once, 

Clinton 
Evsh. for Mercy's sake. 

Molly 
(Looks L, sees Georgie - starts) (Goes overto oeo^gie) How 
do you do - Georgiei I hope you will find the bungalovj- 
pleasant. (Extends hand) 

Georgie 
(TaJcing it) Well - I never - and is it really yOu? 

Molly 
Yes - Molly - you've met nijr grandfather Jffr. Morgan - 

Morgan 
Oh yes - (Grimly) I've met both the ladies - Hum - v/elcome 
to !FairviewJ 

Georgie 
Molly - what are you giving us - he your grandfather? 



8-B 

Ajnanda 
Old Standard oil - her grandfather? I shall "bust in a minute 
I know I shall. (To Clinton) And you - you cheap flirt - you 
told us this place was "yourn". Wretch - you have deceived 
me. It is not "yourn" - it's "hisn" - (Pointing to Morgan) 

Morgan 
But the Bungalow is Mollys - 

Amanda 
And the "bungalow "hern" - worse and more of it, 

Molly 
But you and Georgie are welcome to use it as long as you like, 

Morgan 
Molly - don't you think you hadhetter take ovoc friends into 
the hoiise? 

Molly 
Yes - come GeOrgie - come - Mrs, Dilpickle, 

Amanda 
(Being led Off hy Georgie) Just think of this "Hisn" and "Hern" 
and we've nothing of "Ourn", (Georgie and Amanda exuent into 
house R. ) 

Molly 
(To Morgan) (Aside) What do you intend doing? 

Morgan 
Exercise a little justice that's all Molly» 

Molly 
{Aside to Morgan) Don't forget to mix a little mercy with it - 
Grand paj (Exit into house R, ) 

Morgaa 
(to Clinton) Well, jpc^ Clinton, I fancy we can settle our little 
"business affairs without much trou"ble, (Eoger appears L.C.) 
I have made out a checque which you may use as you see fit. 
It will help you to embark in an honest career - fi you feel 
inclined to earn your own living or you can husy a cigarette . 
with it and go to - t-^i - 

Eegy 
^Interposes) Muscatine - lov/a, 

Morgan 
That's not exa<;tly the place I meant hut it»s enough, (Hands 
checque, Clinton takes cheque , looks at it, pockets it) 

Clinton 
I will send for my "baggage. Good-day - thank yfru for the 
money and the good advice. (Exit L.2.E,) 

Morgan 
i(Looks afterhim) As incorrigable rogue - (Sees Roger) Hello 
y^U old rascal tRoger comes down C. slaps hands) Well, well, 
I'm glad to seeyou. 

Roger 
Same here - just giving that fellow Clinton the sack, 
waen't you*? (Morgan node) Well, I'ii not sorry — * ' " "' 

Morgan 
I'm wily sorry for one thing - Molly was fond of the fellO*, 

Roger 
What's that? Kindly repeat thatl (starts) 

Morgan 
Molly was fond of him, I saw his selfish dishones-t nature 
though. - and 1 feared if she married him - 

Roger 
Marry him? (Laughs) Ha! Ila! Hal Don't make me laugh - my 
face is kinder stiff from the toothache and it might crack. 
Molly fond of him? Why Molly loathed, dispised him. Why, durn 
his hide, he insulted her once and 

Morgan 
Why she never mentioned it. 



9-B 

Rogeir 
Ho - her heart is asbig as the world but there isn't rooxa 
enough in it to hold the memory of a wrong - no - Molly has 
loved but one - can never love but one man - and will carry 
that love vd.th her to the grave. 

Morgan 
Ah - and theman: 

Roger 
He idolizes her - 

Morgan 
Has he ever told his love to her? 

Roger 

isro. 

Morgan 
Wliy not, 

Roger 
There were obstacles, 

Morgan 
What' obstacle? 

Roger 
Yoxi and your money, 

Morgan 
Money - an obstacle - idhat^s the matter with the fellow? 
Havon't I money enough? 

Roger 
He thinks you have toe much. 

Morgan 
Damn his nerve. Does he know *hat Molly cares for him. 

Roger 
Yes ♦ I told hi« so - 

Morgan 
^iWien? 

Roger 
Five minutes ago. 

Morgan 
Pive minutes - then he is here - 

Roger 
He is sketching in this neighborhood. 

Morgan 
What's his nam.e? 

Roger 
Robert TeJi|3lel 

Morgan 
(Stajrts) (Pavise) Yeii5)le, you are - sure - Molly and he love 
each otlaerl 

Roger 
As sure as I am sober. 

Morgan 
Then by the "great Horn Spoon" they shall have each other. 

Roger 
I'd like to know how you are i^oing to manage it. 

Morgan 
I'm going to bring him here to see I^^oiiy. He shall propose 
to her or I'll break every bone in his body. Oick up golf 
stick) (Enter Regy from house, sees Roger, starts toward him) 
, , J^egy 

(Pleased) Hello, Roger old man. (Shakes hands) Glad to see yOxi. 
(Looks Roger over, laioghs) Swell get-up, that, (Swings Roger 
arotind) 

Roger 
Yes, I fancy it's just about the right thing. 

Regy 
CLaughs) Well, I should say. (Slaps Roger On back) Feel as 
good as you look? 



lO-B 

Roger 
Feel great. If I felt any "better it would be me fOr a cot in 
the hospital. {Regy laughs, turns R, sees Morgan, who is 
walking up and down R, malcing vicious swing in airw^^dlth golf 
stick) 

Regy 
Hello J governor, what's the grouch for? 

Morgan 
(Savagely, half to himself) Hum. My money is an obstacle, eh? 
I'll teach him. (Savings stick viciously) My little girl is 
going to be miserable because this fellow's got some crazy 
idea in his head, is she? (Swings stick) Well, 1*11 knock the 
idea out of his head, (To Roger) You stay here until I come 
back - I want you to lead me to this young idiot, (Crosses to 
door of house, turns) Anything Molly wants she Is going to have 
remember that. (Growls loudly, exits in house.) 

Regy 
^ooks after him, surprised) "VThat on earth has got into the 
Governor? 

Roger 
Oh, I told him that Molly and Mr. Temple were in love with 
each other, a - that Molly's money was keeping them apart* 

Regy 
(Whistles) Oh - ho. And the Governor favors the match? 

Roger 
(Drily) Well you saw the song and dance movements he just went 
through. 

Regy 
tl,aughs) Good oldGovernor - isn't he changedfor the better, eh? 
IfHefis mad# up his mind to bring Temple to terms, he*ll do 
it. JiVLt, seriously, Roger, I*m glad to hear it - Bob Templets 
one of the best fellows in the world. 

Roger 
You've said it. 

Rffgy 

Does MOlly knov/ you're here? 

Roger 
No. 

Regy 
Then she wani>s to know right away. Why, she?s been counting 
the minutoe. (Crosses R. ) 

Roger 
Blessher, 

Regy 

(At door of house, calls) Oh Molly. Here heis. (Enter Molly 

eagerly from hOuse, sees ROger, who extends hands to her. 
Molly runs to him L . C . ) 

Molly 
(Delighted) Oh Daddy, Daddy. 

ROgei* 
(Tenderly) My little girl - my little girl. (Embraces her, 
then holdfiheroff , laughs delighted, embraces her again. Regy 
exits into houee.) My, my, my, what a big, yoiing lady you 
have become, (raughs) Where' - plain Molly of the "basem&nt now? 
(Holds her off) (Looks at har closely, speaks seriously) 3?ut 
you* re the same, Molly, just the same? Ycur old Dad is just 
the same tO you. 

Molly 
(Earnestly, embraceshim) Always, Daddy, always. 

Roger 
(Laughs delisted) Come, come, let us sit down and have a little 
chat. (They cross to tree seat L.C. Roger sits, Molly sits on 
ground by his side, rests arm on his knee) 



11-B 

There, there, this is just as we used. tO sit in the Old 'base- 
ment, v/hen youK were a tiny tot, and you used to tell me all 

your little troubles and the secrets, eh? (Molly nods) 

(After slight pause) Are you happy, Molly? 

Molly 
Very happy, Daddy. 

Roger 
(After pause) "Mothing you long for? (Pause) Therets nothing in 
the vjorld would make you happier? (Slight pause) No? Ah, 
"^cnsy's a great thing. (Glight pause) Got everything you 
v/antj eh? -- 

Molly 
(Sighs softly) Yes, Daddy. 

Roger 
Sure there ain»t nothing - nothing you kinder hanker after, 
as it were? (pause) Nothing, eh? 

Molly 
(Slowly) Yes, Daddy - there »s one thing 

Roger 
Oh, is there? 

Molly 
(Softly) I shall neverhe really happy - truly happy - until - 
(pause) (Half emharrassed) You know 

Roger 
(Softly, after slight pause) Mr. Robert? 

Molly 
(Softly) Yes, Daddy. 

Roger 
(Pats her head tenderly) Oh, he'llcome hack, Molly ^ he'll come 
-haclt all right. 

— -_ Molly 

(Shakes head-~sadly) No, Daddy. (Slight pause) J*m afraid he 
has forgotten me. — 

Roger 
(Cheerfully) Not he. Don't you worry about that. You trust 
to your old Daddy. (Slight pause, then half mysteriously) in 
fact, I shouldn't be greatly surprised if you shovQd feee him 
before long. 

Molly 
(Half rises, eagerly) He is here - he is coming. Daddy - Is 
Robert coming? 

Roger 
(Slowly) Well - I didn't aean to say that exactly - (Molly 
drops into old position, disappointed,) 

Molly 
(Sighs softly) Oh. 

Roger 
What I meant was - therenever ain't no telling what may happen, 
(Enter Morgan from house, he still carries folf stick) 

Morgan 
(Decidedly) Now, then, sir, I'm ready - lead me to this fellow - 

I'll (Notices Molly, who rises, Morgan checks himself) Hum. 

Molly, yoiir refined friends in there, (Indicate house) are 
asking for you - they xvant to make their adieus. 

Molly 
(Crossing R. ) I'll go to them, grandfather. (Exit houee) 

Morgan 
(Watches her off, then txrrns to Roger) Now, sir, let us go, 
(Crosses up C.) You'd better pick up one of these clubs as 
you go along, vie may need them tc convince our man. (Regy 
appears in door of house) 

Roger 
(Protesting) No-no - Mr. Morgan, that method -'On't do. 



Mc rgaxf, 
(Growls) The deTil i^ wonM;? You say money won't influence 
the young rascal — - 

Roger 
ITc. 

Morgan 
(Decidedly) Then we must try something else* There are only 
two methods of practical use in this world - money and - force. 

Regy 
(Crossing R.C.) No, GoTernor- therefs another way« 

Morgan 
Eh? 

Regy 
Diplomacy. 

Morgan 
Diplomacy he 

Regy 

(interrupting) Roger is positive that Temple lores Molly, but 
is reluctant to tell her sc because she is your heiress, 

Morgan 
(Growls) Hum- Daamedyoung fool. 

Regy 
Uow, I've got an idea-- 

Morpan 
(Looks at him douhtf ullj ) Hum, 

Regy 
Yes, Remarkable thing perhaps, but I've just the same, and 
I think it Is the very one you want. 

J/Iorgaa 
(impatiently) Well, well, are you going to beat about the 
bush all day? 

Regy 
I propose that Roger should go and find Teicple - Clinton - told 
me that he was in the neighborhood - and On seme pretext - a 
pretty view, or the chance of a comj:iission - anything >vill do 
that will get him herej tliat is 3 anything except speaking of 
Molly. 

Morgan 
(Thoughtfully) Hum. 

Regy 
Arrange to have them meet, and leave the rest to Proi?idence -* 
and Molly, 

Roger 
A capital idea, eh, Mr'. Morgan? 

Morgan 
(Slowly scarcely convinced) Hum - it might work* (Slight pause) 
"Well, try your way. (Grimly) If it don't xvOrk - (sv:ings stick 
viciously) Well, I still have my ov.'-n plan, 

Roger 
(Crossing up C . ) I'll go and look for him at once^ (Crosses 
L.C.) I think I know about where to locate him. (Rxit L.) 
(Morgan and Regy retire up R.C. talk a moment in pantimine, 
then slowly exit R.U.E, during the fclloiving) (Enter Amanda, 
Georgie and Molly from house, Amanda crosses C.)- 

Molly 
(R. ) I'm sorry that you won't stay to dinaer. 

Amanda 

IMmjust love to but I'm so worried about them diamonds of 

Our'n. You see, v/e left them in the bungalow, and w© 
left the bungalow unlocked 

Georgie 
(R.C.) But, we'll come back, Molly. (Grosses C. turns, 
speaks earnestly) Bay, Molly, it's real sv/ell Of yoti to 
to treat us like this. Itshows you're the goods all right. 



Molly 
ITow, Georgie, please 

Georgie 
I used, to think that anyone could he a lady that had a few 
swell rags and a couple of sparks, hut i guess there's some- 
thing else needed *cept them things. 

Amanda 
(lirrpatiently) (Crossing up L.C,,) Oh, come on, Georgie, 

Georgie 
I'm coming, ain't I? I wish you wouldn't he so figgity. 
(Crosses up C. Amanda exits L. ) Good-hye Molly, 

Molly 
Good-hye, Georgie, and thank you for v/hat you told me ahout 
Mr. Temple. 

Georgie 
Oh, you're xvelcome, and itJs on the level. (Giggles) I 
suppose I was rather "mushed" on him, hut he^ he never had no 
use for nothing like me. 

Amanda 
(Off L. calls loudly) Geo— i — ee — 

Georgie 
(Loudly) Oh, I'm com - ing, (To Molly) Can you heat her? I'm 
a nerrous nrreck, I'll catch Saint Vitisus' Dance if I don^t 
hreak away from her soon.. (Exit L, waving hand to Molly) 
(Molly waves hand in return. Turns slowly H.C.) 

Molly 
(After slight pause) Why, where have Daddy and the rest gone? 
(Looks arOund, then slowly enters house, pause, then enter 
Hoger and ROhert L.U.E, crosses C, Rohert carries sketcMng 
materials and small camp stool on arm) 

Rohert 
(Looks around) Is this the place, Roger? 

Roger 
The identical spot, as i used to say in "La Travatara," 

Rcherl; 
(Smiles) You were right in your description - it is a sweetly 
pretty place. If the proprietor gives me the commission, I 
shall he delighted to paint it. 

Roger 
Oh, he will, I guess. Come in, Mr. Rohert, put your things 
On the hench there. (Indicates tree seat) Sit down. Sit 
down. (Rohert crosses down L,C, puts articles on seat) j^H 
look up the cuss and tell him you'rehere. 

Rohert 
Thank you, Roger. (Sits on seat) (Roger crosses up R.G. stops, 
turns, hesitates.) 

Roger 
Ah, um, Mr. Rohert, I don't suppose you've heard anything from 
Molly - since you came "back, have you? 

Robert 
(starts, .shakes head sadly) TTo, Roger, not a thing. 
-^ R&ger 

(Hesitates, then hlurts out) Hum,, Ain't that kinder funrny? 

Robert 
(Looks at him in surprise) P-uramy? 

Roger 
Yes. (Slight pause) If I recollect rightly, and I We an idea 
I do, You kinder let on to me once upon a time that you - well- 
I rather thought that you thought a heap of her. 

Rohert 
I did say sOj Roger, and I spoke the truth., 

Roger 
(Gaining courage) "Well, I may he inrrong, mayhe I am, hut it seems 
to me that if I thought a heap of a girl, I'd— well, I'd 
look her up and kinder hint the fact to her. 



Robert 
vi[Slowly) Underother conditions, Roger, I shoiild have done the 
same. But when Molly was claimed Toy her grandfather, she 
entered into a new life, one in v;hich I had no place. (Slight 
-pause) I was of the old life - the old life of poverty and 
privatiOiU (Sadly) She has prohab^cy forgotten me as she 
has the conditions of which I was a part, 

Roger 
(impatiently) Well, I'll he - (Controls hinBelf) You*r8 wrong, 
Mr. Ro"bext, you* re dead wrong 

ROher* 
(Eagerly) You mean that Molly 

Roger 
You*ve done Molly a great injustice. (Rohert protests) Oh, 
I believe that you thought you were acting for the best, but 
in this case, the best was darned bad. 

Robert 
(Eagerly) You - you think that Molly loved me, Roger, you 
think that she loves me still? 

Roger 
(Drily) I reckon I've said about enough, I ain* t no Cupid - 
don't even look the part, but if I had a tip like that when 1 
was young, I'd- — 

Robert 
(Rises, grabs Riger's hand) Roger, if what you infer is ±8KK 
true, you have raade me the happiaaix man in the world. I 
will find MOlly and tell her at once. I'll find her if I havo 
t« go to the end of the earth< 

Roger 
(Drily) You won't have to go quite that far, I guess, 

Robert 
Molly, Molly, little sweetheart, is it alone toy blind folly 
that has kept us apart, 

Molly 
(Appears in door of house, sees Robert gasps) Robert (Robert 
turns) Oh Robert. 

Robert 
(Eagerly) Molly, Molly, is it really you? (Both start towards 
C. meet C, ) 

Molly 
(Extends hands to him) Oh, Robert, have you really come at 
last? 

Robert 
(Takes hand) Yes, Molly yes. I have sCme back, dear, to 
tell you - (Molly looks at him eagerly) that T love you - l«v© 
you better than my life. 

Molly 
Robert, dear, (Embrace) (Roger has retired up R,C. enter 
Morgan and Regy R.U.E. Morgan starts to speak, ROger checks 
him, indicates Robert and Molly Morgan starts to cross dOwn 
to them, Roger prevents him, Morgan protests, Roger whispers 
in his ear, Morgan starts, chuekles, all exit R.U.E.) 

Molly 
(Softly) Oh, Robert, i have been so unhappjis - I have missed 
you so, 

Robert 
And I, sweetheart, I have missdd you too. 

Molly 
Robert, the ^.ittle flower is dead. 

Robert 
Poor little blossom. 



15-B 

Molly '^ 

"When yOu didn't come back as you said you would, I was stfra^id 
that your lOTe for me had died with it, 

Rohert 
(Arms about her) No-no - dear, 
because y^u gave it, I sliall not miss it now, 
given me a far more precious gift 
wy Molly, 



I loved the little flower 

., foryou have 
- yourself. My sweetheart 



C U R T A I U 



2nd:- Morgan , Regy and Roger on. Morgan shakes hands with 
Robert, then hands golf stick to Roger L.C,) 

Moi-gan 
You may put that away, Roger, I shan't need it new. 



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